Cherry Hills Village Art Commission
Regular MeetingCherry Hills Village, CO · October 28, 2019
Minutes
CHC
CHERRY HILLS VILLAGE ART COMMISSION•
Minutes of the Cherry Hills Village Art Commission
City of Cherry Hills Village, Colorado
Monday, October 28, 2019
at City Hall
9:30 a.m.
ROLL CALL
Chair Ann Polumbus, Gay Warren, Elaine Asarch, Alison Lynch, David Schmidt,
and Kathie Finger were present on silent roll call. Also present were Director of
Finance Jessica Sager and City Clerk Laura Gillespie.
Commissioner Pamela Hall arrived at 9:35 a.m.
Absent: None.
CALL TO ORDER
Chair Polumbus called the meeting to order at 9:30 a.m.
AUDIENCE PARTICIPATION
None
CONSENT AGENDA
Commissioner Finger asked the Commission to discuss Peter Roosevelt’s art
show during New Business.
Commissioner Asarch moved, seconded by Commissioner Warren to approve
the Consent Agenda.
The motion passed unanimously.
ITEMS REMOVED FROM CONSENT AGENDA
None
UNFINISHED BUSINESS
Permanent Sculpture for the New City Hall
Chair Polumbus thanked staff for compiling all the artists that Kendall Peterson
had presented to the Commission over the years. She asked Commissioner
Asarch to read the draft mission statement.
Commissioner Asarch read the mission statement:
Select a talented regional artist.
The piece should engage and inspire through the transformative power olart.
The piece should be
. Welcoming and reflect the civic nature of the City I-Tall
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• Evoke thoughtfulness, curiosity, and Wow
Commissioner Warran thanked Commissioner Asarch for drafting the mission
statement and indicated it was helpful.
Commissioner Asarch agreed it would help the Commission explain their
selection process.
Chair Polumbus added it might be helpful to the artists submitting proposals.
Commissioner Finger moved, seconded by Commissioner Asarch to approve the
mission statement for the permanent sculpture selection process on page 2 of
the staff memo.
The motion passed unanimously.
Chair Polumbus explained she preferred not to make an official motion and not to
present an increased budget to the artists as that would likely result in an
increased price for art, but rather she wanted to discuss the possibility of using
some of the Art Donation Account towards the new sculpture in order to give Ms.
Peterson negotiating power and to ensure the Commission received the best
piece of artwork possible.
Commissioner Finger indicated the Commission would need about $7,000 from
the Art Donation Account to complete all of its projects with the current proposed
2020 budget in addition to the $21 000 from City Council. She noted with the
other items that might require funds in 2020 outside of the proposed budget
including Big Bronze Walking Eye Flower, Author Events, etc. she would be
comfortable using about $15,000 of the Art Donation Account for the sculpture.
Commissioner Asarch asked about the possibility of fundraising for the new
sculpture. She asked about the cost of Big Bronze Walking Eye Flower.
Director Sager replied the insurance on the piece was for a value in the hundreds
of thousands.
Commissioner Hall suggested if the Commission decided not to do a new
sculpture-on-loan piece in 2020 those funds could be reallocated to the
permanent sculpture.
Commissioner Lynch agreed it would be beneficial to focus on the permanent
sculpture and trying to do both a new sculpture and sculpture-on-loan would be a
lot to do in 2020.
Commissioner Warren agreed.
Commissioner Asarch suggested the Commission table the discussion of a 2020
sculpture-on-loan until after the permanent sculpture was selected.
Commissioner Lynch asked staff if there was any reason why the Commission
would have to do a sculpture-on-loan in 2020.
City Clerk Gillespie replied it was at the Commission’s discretion and normally
the driving factor for the sculpture-on-loan timeline was to have an artist for the
annual fundraiser, but the artist of the permanent sculpture could be the speaker
at the fundraiser in 2020.
Chair Polumbus asked for the Commission’s feedback now that they had the list
of artists they had considered over the years, the interviews from the last
meeting, and the new mission statement.
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Vice Chair Schmidt indicated Gilberto Romero’s work was excellent. He
reminded the Commission that one of the pieces could be seen as an abstract
cherry and the patina finish might be able to enhance that interpretation.
Chair Polumbus asked if the Commission felt there was a need to pursue realistic
artists any further.
Commissioner Asarch indicated she liked Troy Houldin’s work but wasn’t sure it
met all the criteria. She stated she liked the colors in Pard Morrison’s sculptures.
She agreed she liked Mr. Romero’s work and noted it was interactive and
transformative. She indicated Jane Dedecker had a piece called “Keeping the
ball rolling” but she felt the City Hall building called for something more
contemporary.
Vice Chair Schmidt agreed.
Commissioner Finger indicated realistic pieces such as animals, birds and
children on benches would be appropriate for John Meade Park but the City Hall
building architecture was more contemporary. She noted they could do a lot with
different bases to make Mr. Gilberto’s work taller to break the plane of the
window. She stated she didn’t think it was necessary to worry about looking at
more realistic pieces because the piece chosen should fit the space and there
were other more appropriate places for more realistic pieces. She added [on
Alcott’s pieces might go well at the Alan Hutto Memorial Commons amphitheater.
She stated she believed the Commission should focus on a piece that was
appropriate for the building.
Vice Chair Schmidt agreed.
Commissioner Lynch agreed the Commission should focus on contemporary
pieces to go with the building and save realistic for other areas that were better
fits for that type of art. She noted the Commission made sure to do its due
diligence, be transparent and provide opportunities for public input, but if the
Commission picked a piece that did not complement the building it would look
very strange.
Commissioner Warren wondered if Mr. Romero could design something like his
bench piece but taller.
Vice Chair Schmidt agreed they needed a taller piece.
Commissioner Warren suggested the bench could be flipped onto its side. She
added she still liked Mr. Houldin’s idea of a group of totems.
Vice Chair Schmidt indicated he did not like the limestone color or texture.
Commissioner Lynch agreed and noted color was more likely to blend into the
building and be lost the way Really was.
Commissioner Warren agreed the Commission should focus on contemporary
sculptures for City Hall and realistic animals in John Meade Park.
Chair Polumbus noted everyone was in agreement. She noted Pard Morrison’s
sculptures were exciting.
Commissioner Asarch noted they were more expensive.
Commissioner Lynch recalled when the Commission had considered Pard
Morrison for the sculpture-on-loan program they had determined that there were
no available pieces and they were out of their price range.
Cherry 1-lills Village Art Commission
October 28, 2019
Commissioner Warren suggested the Commission could someday put a Pard
Morrison wall piece in City Hall.
Kendall Peterson, ThereSquared [[C, joined the meeting by phone.
Chair Polumbus explained the Commission had decided on a mission statement
for the sculpture selection process, had determined that an abstract piece would
work best with City Hall, and wanted to request a formal proposal from Gilberto
Romero.
Commissioner Finger noted if the Commission accepted the proposal then the
cost would go against the purchase price.
Chair Polumbus added the Commission agreed they could expend some
additional funds if needed.
Ms. Peterson asked if the Commission liked Mr. Romero’s stone bases.
The Commission confirmed they did.
Commissioner Finger advised the Commission was excited to see what Mr.
Romero would come up with and asked Ms. Peterson to negotiate the best price.
Chair Polumbus asked Ms. Peterson to communicate with James Surls and
determine the feasibility of an extension of the loan for Big Bronze Walking Eye
Flower.
City Clerk Gillespie asked if the Commission wanted to give Mr. Gilberto any
direction regarding the abstract cherries.
The Commission replied they did not.
Ms. Peterson left the meeting.
Commissioner Asarch asked if the Commission would pay for Mr. Romero’s
travel expenses for his site visit.
Commissioner Hall suggested perhaps Mr. Romero could coordinate the site visit
with a trip to his Colorado gallery in order to reduce the expense to the City.
Chair Polumbus asked staff if the Commission should provide an update to City
Council at this point.
Director Sager suggested they wait until they had Mr. Romero’s proposal and
then bring that to Council along with a more accurate cost estimate.
Art Shows in City Hall
Commissioner Finger expressed concern with allowing the use of the CHVAC
logo on non-City events without a policy to ensure the events were appropriate.
She indicated she understood Peter Roosevelt was a long time supporter of the
Commission.
Commissioner Hall agreed.
Janet Sacks, 3800 S Albion Street, stated she did not have a problem with it if it
was a City resident and suggested it was similar to the Artist Directory.
Commissioner Lynch added the intent could be to notify residents of an event by
a resident artist rather than endorsing the event.
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Commissioner Finger explained if the CHVAC logo was used then the
assumption was the Commission was involved.
City Clerk Gillespie suggested the Commission could have an application
process to consider lending their logo to an event.
Commissioner Hall indicated the proposed amendment to Section IV.c. of the Art
Display Policy was confusing.
City Clerk Gillespie replied staff would reword the section.
Ms. Sacks noted most cities insured art shows but Centennial did not. She
warned the Commission not to require artists to get insurance for art shows as it
was very onerous.
Chair Polumbus noted Section IV.g. of the policy stated “...sales of art work for
which a portion of the proceeds are donated to the City for the acquisition and
promotion of public art...” She asked what the portion was.
Commissioner Lynch noted Susan Cooper had that question as well.
City Clerk Gillespie replied staff could research if the Commission had discussed
the amount in the past.
Ms. Sacks noted a gallery took 50% of proceeds, most cities took 20-30%.
Commissioner Asarch suggested a range because it depended on the artist.
City Clerk Gillespie suggested the Commission pick one percentage to apply to
all art shows in order to be fair.
Commissioner Warren suggested 10%
Commissioner Finger moved, seconded by Commissioner Lynch to recommend
that City Council update the Art Display Policy as shown in Exhibit B with the
corrections discussed to the language in Section lV.c. and inclusion of 10%
donation in Section IV.g.
The motion passed unanimously.
Commissioner Lynch reported the December 4th artist reception would be
advertised in the Crier. She offered to make a personal donation to pay for the
refreshments.
City Clerk Gillespie noted the Commission’s motion approving the art show had
included paying for the reception.
Chair Polumbus indicated going forward the artists should be responsible for
paying for their reception.
Commissioner Finger replied the Commission could evaluate on a case-by-case
basis and noted she would want to ensure the refreshments were up to standard.
Commissioner Asarch added some artists would forego a reception.
Chair Polumbus asked if the Commission could serve alcohol at the reception.
Director Sager replied staff was working on new policies and would let them
know.
Commissioner Lynch suggested it would be nice to have the administrative side
of the building accessible to view the Duke Beardsley painting.
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Director Sager offered to stay for the event and noted she would take photos for
the Crier as well.
Commissioner Lynch noted Ms. Cooper had agreed the pieces in the hallway
would stay for six months but the large piece in the entryway would only stay for
three months so the Duke Beardsley painting could be moved back to that
location.
Commissioner Warren asked if the plan had been discussed with Mr. Beardsley.
Commission Hall replied it had been discussed in detail with Mr. Beardsley’s
representative Della Patteson, who had helped to choose the alternate location
for the painting during art shows.
Chair Polumbus asked Commissioner Lynch to let Mr. Beardsley know about the
art show and accompanying temporary move of his painting.
Commissioner Lynch agreed to reach out to Mr. Beardsley and Ms. Patteson.
Big Bronze Walking Eye Flower
Chair Polumbus noted she hadn’t heard anything negative about Big Bronze
Walking Eye Flower. She suggested the Commission let Ms. Peterson
communicate with Mr. Suns and then discuss any potential cost.
The Commission agreed.
Butterfield Donor Plague
Commissioner Lynch noted Ms. Cooper might use the white wall by the drinking
fountain for her art show.
The Commission agreed the brick wall by the front doors was their first choice
and the brick wall between the Public Works and Community Development desks
was their second choice.
Author Event
Commissioner Lynch noted she had not heard any updates from former mayor
Christman.
Commissioner Finger suggested the Commission include a line item in the 2020
budget for these types of events.
Commissioner Finger moved, seconded by Commissioner Asarch, to reallocate
the $1,500 from the 2020 sculpture-on-loan video to a new Community Events
line item in the 2020 budget.
The motion passed unanimously.
NEW BUSINESS
Winter Celebration Craft Table
Commissioner Lynch volunteered to assist staff with the craft table during the
Winter Celebration. She noted they could use the leftover canvasses from the
Trail Walk.
Chair Polumbus reported the Cherry Hills Land Preserve was interested in
working with the Commission on art for John Meade Park.
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REPORTS
Public Art Commission Chair
Village Crier
Director Sager indicated articles about the snowplows, Peter Roosevelt’s art
show, and Susan Cooper’s art show would be in the November issue of the
Crier. She suggested the Commission skip the December issue as that issue
was very full, and include an article about the Susan Cooper reception in the
January issue.
Ms. Sacks asked if the Commission would include their mission statement for the
City Hall sculpture in the Village Crier.
Chair Polumbus noted they could include the mission statement when they
promoted Gilberto Romero.
Next Meeting
Chair Polumbus and Commissioner Asarch indicated they would be available by
phone for the November 25, 2019 meeting.
Members of the Public Art Commission
None.
City Staff
Financial Report
Included in the packet.
ADJOURNMENT
There being no further business the meeting was adjourned at 11:03 a.m.
Ann Polumbus, Commission Chairperson
Finance
Laura eity Clerk
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Agenda
2450 East Quincy Avenue Phone: 303-789-2541
Cherry Hills Village, CO 80113 Fax: 303-761-9386
Cherry Hills Village Art Commission Agenda
Monday, October 28, 2019
2450 E. Quincy Avenue, Cherry Hills Village, CO 80113
City Hall
9:30 a.m.
1. Call to Order
2. Roll Call of Members
3. Pledge of Allegiance
4. Audience Participation Period (limit 5 minutes per speaker)
5. Consent Agenda
a. Approval of October 3, 2019 Minutes
6. Items Removed From Consent Agenda
7. Unfinished Business
a. Permanent Sculpture for the New City Hall
(i) Mission Statement
(ii) Art Donation Account
(iii) Next Steps
b. Art Shows in City Hall
c. Big Bronze Walking Eye Flower
d. Butterfield Donor Plaque
e. Author Event
8. New Business
a. Winter Celebration Craft Table
9. Reports
a. Public Art Commission Chair
(i) Village Crier – November 15, 2019 Deadline for December Issue
(ii) Next Meeting – Monday November 25, 2019
b. Public Art Commission Members
c. City Staff
(i) Financial Update
10. Adjournment
CHcXC
CHERRY HILLS VILLAGE ART COMMISSION •
Minutes of the Cherry Hills Village Art Commission
City of Cherry Hills Village, Colorado
Thursday, October 3, 2019
at City Hall
9:30 a.m.
ROLL CALL
Chair Ann Polumbus, Gay Warren, Elaine Asarch, Alison Lynch, David Schmidt
and Pamela Hall were present on silent roll call. Also present were Director of
Finance Jessica Sager and City Clerk Laura Gillespie
Absent: Commissioner Kathie Finger.
CALL TO ORDER
Chair Polumbus called the meeting to order at 9:33 a.m.
AUDIENCE PARTICIPATION
None
UNFINISHED BUSINESS
Art Shows in City Hall
Commissioner Lynch reported she continued to coordinate with resident artist
Susan Cooper to plan her art show in City Hall. She indicated that she was
working with City Clerk Gillespie to answer some of Ms. Cooper’s questions on
the Art Show Application.
Commissioner Lynch moved, seconded by Commissioner Hall to approve an art
show by Susan Cooper in City Hall pending receipt of a completed Art Show
Application and the Art Commission will host a reception for the art show.
The motion passed unanimously.
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October 3,2019 - 1 -
CONSENT AGENDA
Commissioner Warren removed Item 5a from the Consent Agenda.
ITEMS REMOVED FROM CONSENT AGENDA
Commissioner Warren noted a correction to the last page of the draft minutes.
Commissioner Hall moved, seconded by Commissioner Warren to approve the
minutes as amended.
The motion passed unanimously.
UNFINISHED BUSINESS
Permanent Sculpture for New City Hall
Chair Polumbus indicated that Ms. Peterson had prepared questions for the
Commission to use but the Commission could ask any questions they wanted of
the artist. She also encouraged the public in the audience to provide questions to
the Commission to ask.
Kendall Peterson, ThereSquared LLC, explained the interviews were meant to be
casual and to help the Commission understand the artists’ personalities and
interest in the project. She suggested the Commission keep in mind the site and
budget. She noted that if the Commission was not satisfied with any of the artists
today, they would find other artists for consideration. She indicated there was no
time limit on spending the funds so the Commission had time to be deliberate in
their decision and be excited about their choice. She noted the Commission
should not be worried about Andy Dufford and Madeline Wiener pulling out as
they were both busy and that was part of the reality of the situation, but
encouraged the Commission to keep those artists in mind for future projects. She
suggested the Commissioners ask the interview questions and noted that she
would conclude the interviews and follow up with the artists afterwards.
Commissioner Warren asked if Tyler Stinson was the only artist who had been to
City Hall in person.
Ms. Peterson confirmed that was correct but she had sent photos of the site to
the other artists.
Chair Polumbus asked if all three artists were aware of the budget.
Ms. Peterson confirmed that they were. She asked staff if landscaping for the
area was included in the budget.
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October 3, 2019 - 2 -
Director Sager replied that it was not at this time, but staff could discuss it with
Deputy City Manager/Director Goldie to see if it could be included.
Vice Chair Schmidt noted Mr. Stinson had suggested potted plants to soften the
space.
Chair Polumbus indicated Deputy City Manager/Director Goldie had been
receptive to the Commission’s requests for landscaping in the past.
Troy Houldin
Ms. Peterson asked where Mr. Houldin was based.
Mr. Houldin explained he lived in Denver and worked in Boulder in the same
studio as Madeline Wiener.
Commissioner Lynch asked Mr. Houldin to tell the Commission about himself and
what inspired his sculpture.
Mr. Houldin replied he had been making things since he could remember; took
art classes as a kid; studied sculpture in college; used art to clear out the
cobwebs in his brain; had worked with many different mediums and now worked
primarily with stone; was drawn to urban landscapes, architectural designs, the
aesthetic of cityscapes, as well as the human form; was creating increasingly
large works with stone; and was drawn to the permanency of stone.
Ms. Peterson asked what types of stone besides marble he worked with.
Mr. Houldin replied he also worked with Dolomitic limestone which was tannish
beige with a tiger stripe pattern. He noted that marble was very sensitive and
limestone was often better for a public space.
Commissioner Asarch asked if Mr. Houldin did a lot of public commissions; what
was different about those commissions versus private ones; and what the
reaction to the public installations had been.
Mr. Houldin replied he was just starting to move into public commissions and so
far had worked mostly with private commissions on a smaller scale. He noted
that he had received good feedback at the Loveland Sculpture Show which was
a bit surprising to him because his pieces were abstract rather than realistic.
Chair Polumbus asked what the largest size sculpture he had made was.
Mr. Houldin replied that he had made a piece that was between five and six feet
tall.
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October 3, 2019 - 3 -
Commissioner Warren asked if Mr. Houldin had visited Cherry Hills Village and
what he knew about the community that might inspired him to create a certain
type of sculpture.
Mr. Houldin replied he was a recent transplant to the Denver area and had not
been to Cherry Hills Village. He noted from his research the City seemed to be a
nice, smaller subpocket of Denver. He indicated the civic nature of the site at City
Hall spoke to him and he had a lot of ideas regarding the activities and functions
in a civic center. He added he had looked at the photos of City Hall from Ms.
Peterson quite a bit and really liked the aesthetic of the contemporary building.
Chair Polumbus asked about his ideas.
Mr. Houldin replied he envisioned a cluster of five tall, slender totemic figure
pillars staged together of varying heights and sizes, representing all the entities
that had to come together to make a town work; all the people in a town coming
together; and the different people of the world.
Chair Polumbus asked about the base.
Mr. Houldin replied the base would likely be made of cement to support the
stone. He noted the base had a low profile and was not the focal point, and that
cement could be made very attractive. He added his pieces were not completely
symmetrical but had an organic flow.
Ms. Peterson asked if the pieces were reinforced through the center.
Mr. Houldin explained he made a hole in the base and into the center of the
sculpture and connected them with a pin. He added the sculpture would also be
glued to the base.
Vice Chair Schmidt asked if Mr. Houldin would feel comfortable creating a
sculpture taller than six feet.
Mr. Houldin confirmed he would plan to create some of the pieces in the group to
be eight to ten feet tall in order to rise above the window line and hold the visual
space. He added most of the figures would be over six feet tall.
Vice Chair Schmidt asked about the maintenance of limestone.
Mr. Houldin replied limestone had very low maintenance requirements.
Vice Chair Schmidt asked if Mr. Houldin had a limestone piece locally.
Mr. Houldin replied that he could send an image of one.
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October 3,2019 -4-
Commissioner Hall asked Mr. Houldin how much time he would need to prepare
a sculpture for the site.
Mr. Houldin replied he would need about two months to get the stone from
Canada, create the pieces, and install them on site.
Chair Polumbus asked how wide a ten foot high sculpture would be.
Mr. Houldin replied a ten foot tall sculpture would be two and a half to three feet
wide with multiple pins for stability.
Chair Polumbus asked where he grew up.
Mr. Houldin replied he grew up in Pennsylvania and lived in the Caribbean for the
last six years before moving to Denver.
Commissioner Warren noted that the piece seemed figural to her and asked if
the cluster of figures could represent a family.
Mr. Houldin replied that they could represent a family or a community.
Ms. Peterson thanked Mr. Houldin for the interview and explained the timeline for
the art selection process.
The interview ended.
Gilberto Romero
Commissioner Hall asked Mr. Romero to tell the Commission about himself and
what inspired his sculpture.
Mr. Romero explained that he was born and raised in Santa Fe; had made art
since he was a kid; sold art at a market as a kid; worked at a foundry in high
school and fell in love with bronze. He indicated he was inspired by nature, was
an outdoorsman, was inspired by the shapes and will to live found in nature. He
explained his work was a contemporary reflection of nature. He noted his pieces
were fabricated from sheet bronze rather than casts and all the work was done in
his studio.
Vice Chair Schmidt asked about the reaction to Mr. Romero’s public installations.
Mr. Romero replied he had five or six commissions in various states and the
reaction had been wonderful. He stated the art invited engagement with its free
flowing lines. He noted that many of his pieces turned but he would leave out that
feature if a lot of children would be near it for safety concerns.
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Vice Chair Schmidt asked about the lighter color in one of the photos Mr. Romero
had submitted.
Mr. Romero explained that piece was still in progress and had not had the patina
applied yet. He noted the various photos showed the different sizes and prices of
sculptures. He indicated that once the patina was applied the pieces did
wonderfully outside with regular waxing. He explained the larger pieces had a
stainless steel structure inside of them for stability.
Ms. Peterson asked how large a piece could be commissioned for $40,000.
Mr. Romero replied all the pieces were unique because they were all fabricated
but probably a nine foot tall piece with a larger base would be within the
Commission’s budget.
Vice Chair Schmidt noted the lighter patina finishing would contrast nicely with
the building.
Mr. Romero agreed and noted there were plenty of options for finishing.
Chair Polumbus asked where Mr. Romero had pieces in Colorado.
Mr. Romero replied he had pieces in Broomfield and Loveland. He noted that the
permanent piece at Benson Park had a larger base.
Chair Polumbus asked about his pieces with a stone base.
Mr. Romero replied he loved working with stone and mixing medias. He noted
that stone was a great way to increase the height of the sculpture.
Commissioner Warren asked Mr. Romero how much time he would need to
prepare a sculpture for the site.
Mr. Romero replied that commission time depended on the piece but was an
average of six months.
Ms. Peterson asked about Mr. Romero’s studio in Santa Fe.
Mr. Romero replied he had two full time employees and his son worked with him
as well. He explained they were all trained in the entire process and made a
wonderful team.
Commissioner Asarch asked Mr. Romero’s opinion on adding landscaping to the
site along with a sculpture.
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Mr. Romero replied he believed less was better and noted that too much
landscaping could take away from a sculpture. He stated he always
recommended placing the sculpture first and then determining if landscaping was
needed.
Commissioner Lynch asked if Mr. Romero had been to Cherry Hills Village and
what he knew about the community.
Mr. Romero replied he had been to Cherry Hills Village several times for private
installations and that it was a beautiful and well kept up community and a
wonderful escape from the city. He noted he thought his work was well sited on
the larger lots in Cherry Hills Village and explained that his work tended to bring
nature into the home.
Commissioner Hall asked about the durability of the pieces.
Mr. Romero explained he worked with eight inch thick sheet silicone bronze and
the piece would need to be waxed once or twice a year. He noted it was a simple
process and he had created a video explaining how to do it. He indicated he had
lots of clients in Colorado and that hail should not be an issue.
Commissioner Hall asked Mr. Romero to send images of some of his pieces that
mixed bronze and stone.
Mr. Romero confirmed he would. He asked if the site was concrete now.
Ms. Peterson replied she was not sure if there was concrete or earth below the
crusher fine on the site but that they would be sure to go over all the engineering
involved in installation with the selected artist.
Mr. Romero noted that he did the installations himself and had all the equipment
necessary.
Ms. Peterson asked how much Mr. Romero’s pieces weighed.
Mr. Romero replied the sculptures weighed about 300 pounds and the bases
weighed about 250 pounds. He noted fabricated pieces had a consistent
thickness which made them lighter than cast bronze.
Ms. Peterson thanked Mr. Romero for the interview and explained the timeline for
the art selection process.
The interview ended.
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General Discussion
Commissioner Hall noted she owned an eight foot tall bronze Romero piece and
that he was a lovely person. She added that Commissioner Finger had a couple
of larger Romero pieces that moved.
Chair Polumbus indicated it would be nice to have the piece move. She reported
that Council’s feedback at the October 2, 2019 meeting was that Councilor
Gallagher and Mayor Stewart preferred a Colorado artist, Councilor Sheldon had
suggested incorporating the letters “CHV”, and Councilor Safavi had suggested
incorporating cherries into the piece. She asked Commissioner Hall to keep
Councilor Gallagher appraised of the process. She added that Council had not
seemed very interested in the selection process or the piece.
Ms. Peterson suggested that response indicated Council’s trust in the
Commission’s judgement.
Alice Abrams, 105 Meade Lane, noted that Council typically deferred to the
wisdom of the commissions. She indicated Council was not indifferent, they just
didn’t know what to say. She suggested one of the Romero pieces could be
interpreted to be an abstract cherry.
Chair Polumbus suggested the Commission should look at more representational
artists before making a final decision. She also indicated it was important to
Council that the artist be local. She stated she had heard from residents who
wanted a figural piece and she felt the Commission had not given that type of art
enough consideration.
Commissioner Lynch noted a news story about an elk sculpture that had been
vandalized many times. She indicated the sculpture was somewhat abstract and
a similar piece might work.
Ms. Peterson replied that sculpture was in Colorado Springs and the artist was
from Korea. She asked if City Council had indicated they wanted a more figu rat
piece.
Chair Polum bus replied they had not but that she had heard that from other
residents, for example on the Cherry Hills Land Preserve Trail Walk. She
indicated she didn’t think the Commission had explored the idea of
representational pieces enough.
Ms. Peterson noted the artists being interviewed today were abstract but with
natural forms.
Janet Sachs, 3800 S. Albion Street, noted that Rubric was purely abstract,
Charlo was representational but not purely figurative, and it would be nice for a
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October 3,2019 - 8 -
third piece in the Village Center campus to be purely figurative to have all three
types of sculpture represented.
Vice Chair Schmidt indicated that new homes being built in the Village tended
towards contemporary, the City Hall building was contemporary, and he believed
a contemporary piece would fit well. He suggested there were better
opportunities to site realistic pieces in John Meade Park and Alan Hutto Memorial
Commons where a sculpture of animals could be integrated into their habitat.
Commissioner Asarch stated the City Hall piece should be civic in nature and
bring people to feel a sense of civic engagement. She indicated she was not
clear on the Commission’s mission and suggested forming a mission statement
to help guide the art selection process.
Commissioner Hall agreed that a mission statement would be helpful, and the
Commission could explore representational pieces to give them a fair chance but
should narrow the search as the Village Center already had a horse and wild
animals would not be appropriate. She suggested that abstract birds might work
and noted that Mr. Romero had a piece with birds.
Chair Polumbus noted there was a large beautiful bronze sculpture of cranes at
Cherry Creek mall. She added an artist Commissioner Hall had shown her was
very interesting.
Commissioner Asarch indicated the Commission was not done with the research
and was not ready to make a decision. She stated that this was a great beginning
and these were wonderful artists but the Commission needed a broader base of
artists to be confident in the process.
Chair Polumbus added everyone she had met loved Really and she thought that
was because it was humorous, and she would like to find that emotion for the
permanent sculpture. She agreed the artists today were terrific.
Ms. Abrams noted representational art was not complex and easy to enjoy,
whereas abstract art invited the viewer’s input and was more perplexing,
emotional and thoughtful.
Commissioner Warren asked Commissioner Hall to send photos of the artwork
she had shown Chair Polumbus.
Commissioner Hall noted that artist was Julian Voss-Andreae and he was
German and worked out of Portland, Oregon.
Ms. Peterson asked the Commission to decide if they were looking at only
Colorado artists, only regional artists, or no restriction. She explained at some
point the Commission needed to commit to criteria and a piece and have a
Cherry Hills Village Art Commission
October 3, 2019 - 9 -
narrative to explain the process they went through and why they chose the
particular piece. She suggested that the Commission felt overwhelmed at this
point and needed to stick to the criteria that they agreed upon.
Chair Polumbus noted Mr. Houldin was the only Colorado artist being interviewed
today.
Commissioner Asarch added Mr. Romero was regional. She indicated she did
not have a clear mission in mind. She noted that she did not feel that the artists
today were exciting to the Commission.
Vice Chair Schmidt replied that Mr. Romero’s piece could be retitled The Bronze
Cherry and the process could be complete.
Ms. Peterson cautioned that the Commission hadn’t had a thorough discussion
about today’s artists yet. She noted that with Mr. Stinson the Commission would
be choosing from existing pieces.
Vice Chair Schmidt explained Mr. Stinson had offered to create a commissioned
piece for the Commission with stainless steel to contrast with the building. He
noted Mr. Stinson might not be willing to wait a long time for the commission to
be approved.
Tyler Stinson
Commissioner Lynch asked Mr. Stinson to tell the Commission about himself and
what inspired his sculpture.
Mr. Stinson replied he had attended art shows and made metal artwork as a kid.
He stated he was motivated by the interaction people had with his work and
having his work benefit people after he was done. He noted he put a lot of
thought into the purpose of the work as he created it.
Commissioner Asarch asked if Mr. Stinson did a lot of public commissions; what
was different about these commissions versus private ones; and what the
reaction to the public installations had been.
Mr. Stinson replied his public pieces were larger than the private pieces, and he
had been thrilled with the reaction to the public pieces. He noted the space
where his pieces went were someone’s home or work and it was a compliment to
have his piece change the space and how people interacted with it. He indicated
the pieces were often placed at the entrance to someplace with a lot of foot traffic
and he enjoyed helping to influence and set the tone for the space and capturing
why people were coming in. He explained he hoped his pieces had a sense of
balance, peace, contentment, equilibrium and made people feel good. He stated
he was happy to provide references.
Cherry Hills Village Art Commission
October 3, 2019 - 10 -
Commissioner Warren asked if Mr. Stinson had spent any time in Cherry Hills
Village and what inspired them about this community.
Mr. Stinson replied he had pieces in Denver and Superior but had not spent
much time in Cherry Hills Village besides his recent visit on his way through
Denver. He stated he loved the mountains and the Front Range was a great
place to start a journey.
Chair Polumbus asked Mr. Stinson to tell the Commission about his ideas of the
type of work they might propose for the site.
Mr. Stinson replied he did not have a finite plan but would focus on the feeling
that he wanted from the final piece. He noted that each of his pieces created a
different sensation and his goal was to create a work that complimented,
augmented and appreciated the space.
Vice Chair Schmidt noted the Commission’s timeline would likely be several
months if not longer before a final decision was made and asked if Mr. Stinson
would still be available to do a stainless steel commission on that longer
tim ef ram e.
Mr. Stinson replied he was not sure and that he was taking time off from creating
art and travelling to art shows to concentrate on races and quality time at home.
He asked what the hurdles were.
Chair Polumbus explained she believed the Commission needed to investigate
more figurative and realistic pieces because although the Commission leaned
toward abstract art, she was not sure they had done enough research to properly
consider figurative work that other members of the community might prefer.
Ms. Peterson explained that this was the first time the Commission was selecting
a public commission and they were striving to be good stewards of the taxpayers’
dollars, so it could be a lengthy process.
Mr. Stinson agreed the Commission needed to take the appropriate time to make
sure their selection was right for them.
Commissioner Hall asked where Mr. Stinson made his art.
Mr. Stinson replied that his studio was in Pennsylvania and he spent some time
in Arizona as well.
Commissioner Hall asked about maintenance for Mr. Stinson’s pieces.
Cherry Hills Village Art Commission
October 3, 2019 -11-
Mr. Stinson replied his pieces needed regular but minimal maintenance. He
noted he had several pieces along the coastline and had no complaints.
Ms. Peterson asked if Mr. Stinson would provide an existing piece to the
Commission or create a new piece.
Mr. Stinson replied he would be looking for homes for his current pieces but
indicated that he was planning to keep a stainless steel eight foot tall piece and
could sell that piece to the Commission. He offered to temporarily install the
piece at City Hall so the Commission could see if they liked it. He added he could
create a new piece if it was something they could schedule sooner rather than
later.
Ms. Peterson thanked Mr. Stinson for the interview.
The interview ended.
General Discuss/on
Commissioner Warren asked how tall the piece was and how tall the window
was.
Vice Chair Schmidt replied that the piece Mr. Stinson was offering was eight feet
tall and he had discussed that a ten foot tall piece would be ideal to break the
plane of the window.
Ms. Peterson noted that a different base would be needed, but indicated placing
a piece at City Hall that was not the final piece might confuse people.
Commissioner Lynch stated she liked Mr. Houldin’s work the best and thought
the five pieces would break up the space nicely. She noted he lived in Denver but
had not visited the space.
Ms. Peterson replied that it was not expected at this stage of the process for
artists to visit the site.
Commissioner Lynch indicated she had liked Mr. Romero’s familiarity with the
City and had liked his pieces. She appreciated Ms. Abrams’ suggestion of an
abstract cherry and that might help people who were not as comfortable with
abstract art. She noted Mr. Stinson would be very engaging for an artist talk but
she did not love the piece that he had offered.
Commissioner Asarch suggested that a mission statement include a regional
artist who understood the aesthetics of the area, the civic nature of the site, the
possibilities and challenges of the site, art should elevate the thinking about
where we live and the functions of our democracy. She indicated that Mr. Houldin
Cherry Hills Village Art Commission
October 3, 2019 - 12 -
was a young artist and was just beginning to understand what that was but had a
lot of passion and would be willing to work with the Commission; his totem
figures were interesting and might bring in some of the structure and
representative nature of what the Village meant, but that maybe they needed to
be more massive. She stated Mr. Romero understood his materials, had said that
he wanted a contemporary perspective to nature based information, and his
pieces were massive and lyrical. She indicated Mr. Stinson had said he put his
creative energy into benefiting people and it was more important to get a
response from the people than to do the creative work, and she noted he had a
true sense of what public art was. She indicated that it was hard for her to draw
conclusions without seeing the pieces in person.
Commissioner Warren stated she had been surprised and elevated by Mr.
Houldin’s idea of clustering a group of pieces, and she liked that his pieces could
be seen as human figures. She felt Mr. Romero was authentic in his thinking,
words and how he viewed nature; his work was very southwestern; and she
appreciated his view that less was more. She noted that Mr. Stinson was a
salesman, enthusiastic, honest and talented but she was concerned with the
pointed edges of the piece he presented.
Chair Polumbus indicated she had liked Mr. Houldin’s ideas and was impressed
with his affiliation with Madeline and Josh Wiener. She noted he had passion and
new and exciting ideas, and she liked that he lived in Colorado. She stated that
she liked that Mr. Romero was regional and liked his work and especially liked
his pieces on stone bases. She suggested the Commission could rule out Mr.
Stinson as he was neither from Colorado nor regional.
Vice Chair Schmidt stated he was not a fan of white marble and would like to see
an example of the limestone that Mr. Houldin had mentioned.
Ms. Peterson explained the limestone was very warm and tactile. She noted she
would be sure to get a picture to the Commission.
Vice Chair Schmidt indicated he liked Mr. Romero’s work and loved that one of
the pieces could be an abstract cherry. He stated he loved Mr. Stinson’s work,
although he did not particularly like the piece that he had offered. He indicated
that in his opinion all three artists were in the running.
Commissioner Hall agreed all the artists were strong. She agreed that she liked
Mr. Houldin’s cluster idea, she would like to see more of Mr. Romero’s mixed
media works, and she did not like Mr. Stinson’s works as much. She stated she
was not ready to make a decision.
Ms. Peterson indicated that she was not hearing agreement on Mr. Stinson but it
seemed that the Commission liked Mr. Houldin and Mr. Romero. She stated both
Mr. Houldin and Mr. Romero would be wonderful choices because their materials
Cherry Hills Village Art Commission
October 3, 2019 - 13 -
were natural and provided contrast with the building as the Commission had
wanted. She noted Mr. Houldin had made a direct comment about the purpose of
City Hall, and that the Commission would get a lot of artwork for their budget with
the five totems. She indicated Mr. Romero’s piece could be an abstract cherry,
but was a natural form and based on something he had seen in nature. She
added his pieces were lyrical and would provide a nice contrast to the building.
She noted the Commission might not get the size piece that they wanted for their
budget with Mr. Romero because bronze was more expensive than other
materials.
Ms. Abrams noted resident Bob Barnett had stated that the community was
generous and there might be more funds available if the Commission asked for
donations. She agreed with the idea of having a mission statement. She noted
that most visitors to City Hall were serious and sometimes negative and
confrontational. She suggested having a piece that was welcoming, friendly and
perhaps humorous would possibly help people feel better as they entered the
building. She noted the Commission could ask Mr. Romero to add red and green
to his abstract cherries sculpture.
Pat Nelson, 2671 E. Stanford Drive, suggested the Commission could do a
request for proposals.
Ms. Peterson explained the Commission had taken a suggestion from the public
to attend the Loveland Art Show. She noted an REP/REQ would be a more
rigorous and formal process.
Ms. Nelson agreed with Ms. Abrams that the piece should be welcoming.
Commissioner Warren suggested sending a survey to the residents to determine
their preference for the type of sculpture.
Ms. Peterson replied a survey would confuse the Commission further. She noted
the Commission was feeling nervous and possibly overestimating public reaction.
She indicated the purpose of the piece was to be conversational and she
reminded the Commission of the positive reactions they had received about their
sculpture-on-loan pieces. She stated the Commission had been appointed to
make these decisions and they had three members of the public here now.
Chair Polumbus suggested the Commission explore other artists and noted she
had heard that the best artists do not go to the Loveland Sculpture Show.
Ms. Peterson replied she wasn’t sure where the information was coming from but
that the artists the Commission had just interviewed were excellent.
Commissioner Asarch noted the REP/REQ process could be very expensive.
Cherry Hills Village Art Commission
October 3, 2019 - 14 -
Ms. Peterson replied that it cost about $500 to use the Call For Entries (CaFE)
system, and then it was typical to pay artists $500-$1 ,500 each to conduct a site
visit and put together a detailed proposal for the Commission. She indicated that
many great artists did not use CaFE because they received direct commissions
and did not need to compete with other artists.
City Clerk Gillespie noted that Ms. Peterson had brought many artists to the
Commission for consideration over the past several years as part of the
sculpture-on-loan process and staff would put together a list of those artists so
the Commission could see everyone they had already considered.
Ms. Peterson requested that the Commission provide clear direction to her in
order to move forward.
Chair Polumbus replied she was not opposed to Mr. Houldin or Mr. Romero but
there were realistic artists that the Commission had not considered.
Ms. Sachs advised the Commission not to underestimate themselves and noted
the professional expertise of the Commissioners. She agreed that a mission
statement would be helpful and that the emotion of the piece should be “wow”.
She noted that she like Mr. Houldin’s pieces but was not sure they provided the
emotional “wow”. She added that Mr. Romero was a proven artist.
Ms. Peterson left at 12:15 p.m.
Art Display Policy
Chair Polumbus moved this item to the next meeting.
2020 Proposed BudQet
Chair Polumbus questioned budgeting for another video.
Cherry Hills Land Preserve Trail Walk
Commissioner Lynch asked the Commission if they would like to include funds
for art supplies for the Cherry Hills Land Preserve Trail Walk next year.
Commissioner Hall replied it was a great event that provided wonderlul
opportunity to connect with the community.
Commissioner Lynch agreed but suggested that since they didn’t know if the
small canvasses were ever used, the CHVAC table could have a collage or
something similar next year instead.
Cherry Hills Village Art Commission
October 3, 2019 - 15 -
Author Event
Commissioner Lynch reported she continued to coordinate with former mayor
Laura Christman on the first Author Event but it would likely not occur until next
year.
Snow Plow Painting Program
Commissioner Warren reported the annual snow plow painting program was in
progress and that Cherry Hills Village Elementary School and Kent Denver were
participating this year.
Butterfield Plague and Wolford Painting
Chair Polumbus reported Commissioner Warren had found some possible
locations for the Butterfield donor plaque. She noted Kent Denver had a similar
plaque on a brick wall. She asked the Commission to consider the options.
NEW BUSINESS
None
REPORTS
Public Art Commission Chair
Village Crier
Director Sager indicated the Peter Roosevelt art show was scheduled for the
next issue of the Crier and the snow plows would also be in the next issue if they
were ready in time.
Chair Polumbus explained that Midge Roosevelt had requested the
advertisement for Mr. Roosevelt’s art show in the Crier with the CHVAC logo.
Next Meeting
The next Art Commission meeting is scheduled for Monday, October 28, 2019.
Members of the Public Art Commission
City Staff
Financial Report
Included in the packet.
Cherry Hills Village Art Commission
October 3, 2019 - 16-
ADJOURNMENT
There being no further business the meeting was adjourned at 12:23 p.m.
Ann Polumbus, Commission Chairperson
Jessica Sager, Director of Finance
Laura Gillespie, City Clerk
Cherry Hills Village Art Commission
October 3, 2019 - 17 -
CHERRY HILLS VILLAGE
COLORADO
2450 E. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 7a
MEMORANDUM
TO: THE CHERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPIE, CITY CLERK
SUBJECT: PERMANENT SCULPTURE FOR THE NEW CITY HALL
DATE: OCTOBER 28, 2019
ISSUE
Selection of a permanent sculpture for the new City Hall.
DISCUSSION
Public Input & Notification
Staff spoke with the City Attorney and determined the resolution establishing the Cherry Hills
Village Art Commission prevents the Commission from creating an Advisory Committee to
discuss art selections for the new City Hall. The Commission can invite select members to
regularly scheduled meetings for their input, rather than create an advisory committee. Chair
Polumbus has personally invited various members of the public. In addition, staff has created a
separate email notification list that the public can sign up for on the city website. Staff will
continue to email information about Commission meetings and the selection process through this
notification list.
Mission Statement
The Commission has discussed the following things to keep in mind:
• the rural nature of the Village
• complimenting the location and the architecture of City Hall
• the Deborah Butterfield sculpture nearby
• a balance between representational and contemporary art
• inclusion of local artists in the process
• the importance of families and children
• complimenting and contrasting with the building
• rounded and inviting shapes
• inviting safe interaction especially from children
• something that was appropriate for the height of the space
Commissioner Asarch and Chair Polumbus have formed the following Mission Statement:
Select a talented regional artist.
The piece should engage and inspire through the transformative power of art.
The piece should be
• Welcoming and reflect the civic nature of the City Hall
• Evoke thoughtfulness, curiosity, and Wow
Permanent Sculpture
The plans for the new City Hall include a permanent sculpture in front of the building. Kendall
Peterson put together an art selection process that was presented to City Council at the joint
study session with the Commission on June 4, 2019. At the June 24, 2019 CHVAC meeting the
Commission decided to rate art at the Loveland Sculpture Show and return to discuss preferred
artists, types of sculpture, and methods of solicitation. At the August 26, 2019 meeting the
Commission discussed their experiences at the Loveland Art Show and identified artists that they
liked. Ms. Peterson set up phone interviews for the next meeting.
During the October 3, 2019 meeting the Commission interviewed Troy Houldin, Gilberto
Romero, and Tyler Stinson. Follow-up photos from Mr. Houldin and Mr. Romero are included as
Exhibits A and B.
After the interviews were concluded and the Commission discussed the interviewees’ answers to
the various questions that were posed during the interview, some Commission members
expressed concern that not all types of art had been explored and it would be remiss of the
Commission to make a final decision without viewing pieces from those styles. Ms. Peterson
advised the Commission she has provided examples of varying styles for the sculpture-on-loan
process as well as at the beginning stages for the permanent piece project. Staff volunteered to
consolidate all the artists that Ms. Peterson has provided into one document (Exhibit C) to assist
with the selection process. Ms. Peterson has brought 42 artists to the Commission during the
processes for the 2018 and 2019 sculpture-on-loan program and the current process for a
permanent sculpture.
Budget
At the May 21, 2019 City Council meeting, Council approved a budget up to 845,000 for
permanent art for the new City Hall. Chair Polumbus would also like to discuss utilizing some or
all of the Art Donation Account towards the commission of a permanent sculpture.
NEXT STEPS
Staff and Ms. Peterson are seeking direction from the Commission on the following items:
• Mission statement for the permanent sculpture selection process
• Increasing the budget for the permanent sculpture by utilizing some or all of the Art
Donation Account staff would recommend that the Commission update City Council if
—
this is the case
• What aspects are the Commission looking for in artists/art that Ms. Peterson has not
already presented to the Commission for consideration?
RECOMMENDED MOTIONS:
“I move to approve the following mission statement for the permanent sculpture selection
process:
“I move to utilize no more than$____________ from the Art Donation Account in addition to the
$45,000 approved by City Council for the permanent sculpture for City Hall.”
ATTACHMENTS
Exhibit A: Troy Houldin
Exhibit B: Gilberto Romero
Exhibit C: CHVAC Artist Sample List
3
EXHIBIT A
Troy Houldin
EXhIBiT B
Gilberto Romero
I
V
EXHIBIT C
Cherry Hills Village Art Commission Artist List
1. Steve Kestrel
\Vebsite: http://www.stevekestrel.com/stevekestrel-poa.htnil
2. Kenneth Bunn
\Vebsite: https://www.gpgallcrv.comlartists/kenneth-bunn
EXHIBIT A
3. Thomas Schomberg
Website: www.schomberustudios.com
4. Casey G Horn
Website: http://www.cghstudios.com/
EXHII3IT A
5. Patrick Marold
Website: www.patrickmarold.com
- --.-- — - - - —
*
,*- -
- —.
6. James Suns
\Vebsite: www.jamessur1s.coin/homepa,e
EXHIBIT A
7. Pard Morrison
‘Website: www.pardniorrison.com
8. Nancy Lovendahi
\Vebsite: www. nancy1o\’encLi ii .com/#1arge-projeçpjbIiu-iit
EXHIBIT A
9. Linda Fleming
\Vebsite: www.linclaflemingsculpture.com
10. Tyler AieIIo
Website: www.studioaiello.net
EXHIBIT A
11. Robert Mangold
Website: https://www.sculptuue.org/portfolio/scu!ptorPage.php?sculptor id= 1005286
12. Madeline Wiener
Website: https://madeflnewiener.com/
Wi
*
4; \f .
L.
1 1 -‘
EXHIBIT A
13. Joshua Wiener
Website: http://www.joshuawiener.com/
14. Jane Dedecker
Website: http://ianededecker.com/
EXHIBIT A
15. Tom Ware
Website: http://www.tomwaresculptor.com/art%2Ofor%2OsaIe.htm
16. Linda Prokop
Website: http://www.lindaprokop.com
SiorytIIer - 45ft. high by ft irI - Edition 15
CLOSE
EXHIBIT A
17. Gail Foiwell
Website: http://www.folwellstudios.com/portfolio/
18. Michael Clapper
Website: http://www.michaelclapperstudios.com
EXHIBIT A
19. Andy Dufford
Website: http://www.chevostudios.com/#/proiects
20. Yoshitomo Saito
Website: http://www.yoshitomosaito.com/sculpture-series
EXHIBIT A
21. Gerald Balciar
Website: https://sorretsky.com/search-worksphp?searchArtist=gerald-balciar
22. Stephen Schactman
Website: https://www.shachtmanstudios.com/sculpture
EXHIBIT A
23. Lorri Acott
Website: Nips ://www. lorriacotLcornlpage/page/4 11 2062.htm
24. Kendra Fleischman
\Vebsite: http://www.kfleischman.com/
EXHIBIT A
25. Daniel Glanz
Website: https ://glanzsculptures.corn!
26. J.G. Moore
Website: http://sciilturebyjgmoore.com/
EXHIBIT A
27. Hector Ortega
Website: www.ortegasculpture.com
28. Jodie Bliss
Website: www.forgeyourbliss.com
EXHIBIT A
29. Robert Tully
W’ebsite: http:f/www .tullyartworks.com!
30. Sandy Friedman
\Vebsite: htips://www.sandyfriedrnansculpture.com/
EXHIBIT A
31. Sue Quinlan
Website: https://www.sculpturebysueguinlan.com/
32. Wayne Salge
\Vebsite: http://www.nationa1scu1ptorsgui1d.com/artist salge poi’tfolio.htinl
EXHIBIT A
33. Troy Houldin
\Vebsite: https://www.behance.nel/iro\ hou 1dm
34. Gilberto Romero
VVebsite: https://fineaitsantafe.con!giIbcio—ionero—scuIptor/
EXHIBIT A
35. Tyler Stinson
Website: https://www.tylerstinson.coml
36. Dan Ostermiller
‘4Vebsite: http://ww w danostermil ler.corn/workl
EXHIBIT A
37. Randy Hamilton
\Vebsite: https://www.irontoarr.com/copy-of-sculpture-for-sale
38. Rik Sargent
\Vebsite: v4’ww freemangalleiysantafe.com
-
N
V
EXHIBIT A
39. Tony Rochstetler
Website: https://tonyhochstetler.coml
40. Duke Beardsley
\Vebsite: https://www.dukebeardsleystudio.corn/
EXHIBIT A
41. Tim Shinabarger
Website: http://timshinaharger.com!
I
42. Kevin Box
‘Website: https ://outsidetheboxstudio.com/
CHERRY 1-IILLs VILLAGE
CoL.oRAno
2450 F. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 7h
MEMORANDUM
TO: TI-IF CHERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPIE, CITY CLERK
SUBJECT: ART SHOWS IN CITY HALL
DATE: OCTOBER 28. 2019
ISSUE
Art shows in the new City Hall.
DISCUSSION
Susan Cooper
At the October 3. 2019 meeting the Commission approved resident artist Susan Cooper to hold
the first art show in City Flail and to host the artist reception. Commissioner Lynch is working
with Ms. Cooper to make arrangements. The artist reception has been scheduled for December
41h
from 5:30 to 7pm.
Staff is seeking clarification/direction from the Commission on the following items:
• I-Tow much does the Commission want to spend on the reception?
• How involved does the Commission expect staff to be in the planning/management of the
reception?
Art Display Policy
Staff has also found the Art Display Policy approved by City Council in 2014 (see Exhibit B)
and suggest the updates as shown in Exhibit C. Any update would have to be approved by City
Council and staff is seeking direction from the Commission. If the Commission chooses to
recommend updates to City Council staff has provided a recommended motion.
RECOMMENDEI) MOTION
“I move to recommend that City Council update the Art Display Policy as shown in Exhibit B to
the October 28, 2019 CHVAC staff memorandum.”
ATTACHMENTS
Exhibit A: Resolution 4, Series 2014; Art Display Policy
Exhibit B: Draft Updates to the Art Display Policy
EXHIBiT A
RESOLUTION NO. 4 INTRODUCED BY: RUSSELL STEWART
SERIES 2014 SECONDED BY: KATY BROWN
A
RESOLUTION
OF THE CITY COUNCIL
OF THE CITY OF CHERRY HILLS VILLAGE
ADOPTING A POLICY ON USE OF VILLAGE BUILDINGS FOR ART DISPLAYS
WHEREAS, the City Council of the City of Cherry Hills Village (‘Village’) is
authorized under its home rule charter and pursuant to its general municipal powers to
own, operate and manage its public buildings and facilities (“Village Buildings”); and
WHEREAS, each Village Building is designated as a non-public forum that is
used primarily for the performance of Village business and functions and for other
governmental and quasi-governmental business; and
WHEREAS, on a limited basis, designated areas within Village Buildings may be
used for the public display of art work; and
WHEREAS, the City Council desires to establish a written policy on use of
Village Buildings for art displays.
NOW, THEREFORE, BE IT RESOLVED BY THE CITY COUNCIL OF THE CITY OF
CHERRY HILLS VILLAGE;
Section 1. The City Council hereby adopts the attached City of Cherry Hills
Village Art Display Policy.
Section 2. This Resolution shall be effective immediately, provided that it shall
not apply to approved art displays for which an agreement between the Village and
artist is effective as of April 15, 2014.
Introduced, passed and adopted at the
regular meeting of City Council this 1 5th day
of April, 2014, by a vote of 4 yes and 0 no.
N
(SEAL)
ATTEST: APPROVED AS TO FORM:
taura Smith, Gity Clerk
I i
C t(C1
Linda C. Michow, City Attorney
Resoiution 4. Series 2014
Page 1 of 2
EXHIBIT A
CITY OF CHERRY HILLS VILLAGE ART DISPLAY POLICY
Resolution 4, Series 2014
Page 2 of 2
CITY OF CHERRY HILLS VILLAGE
ART DISPLAY POLICY
I. AUTHORITY: The City of Cherry Hills Village (‘Village”) has the authority under its
home rule charter and pursuant to its general municipal powers to own, operate and manage its
public buildings and facilities.
II. PURPOSE OF POLICY: The purpose of this policy is to provide guidance regarding the
selection and responsibilities for art placed in any public building owned, operated or managed
by the Village (“Village Buildings”).
III. SCOPE: This policy governs (a) the selection of art for display in Village Buildings, each
designated as a nonpublic forum, (b) responsibility for loss or damage to such works of art, and
(c) obligations on display and removal.
IV. POLICY:
a. The City Council recognizes that all Village Buildings serve as workplaces for
Village staff and emergency personnel and thus designates each Village Building as a non
public forum. The use of Village Buildings is primarily assigned for Village-related business, On
a limited basis, as set forth in this policy, designated areas within Village Buildings are available
for display of art work.
b. The Cherry Hills Village Public Art Commission (“PAC”), in coordination with
Village staff, as may be assigned by the City Manager, are charged with the responsibility for
selecting and coordinating the arrangement and display of art work in Village Buildings.
c. The Village is a participant in an intergovernmental risk sharing insurance
pooi and does NOT insure the art work displayed in any Village Building.
d. Any artist who loans art work for display in Village Buildings bears the risk
of loss from damage, destruction, or theft of the art work while it is in the care of the
Village. Although reasonable efforts are made by the Village, its employees, and officials
to protect art work loaned for display, the Village CANNOT assume any liability or
responsibility for loss, damage or theft of the art work.
e. In selecting art for display, the PAC and assigned Village staff shall comply with
the laws and policies of the Village. The Village prohibits unlawful discrimination and disruption
of the workplace. In the interest of promoting effective and essential governmental services to
its citizens, the Village desires to retain its impartiality and the associated public trust and
therefore will not accept works of art for display that are aesthetically displeasing, politically
oriented, or offensive to segments of its citizenry. The Village may make acceptance
distinctions on the basis of subject matter of the art work but will not base such display
decisions on the basis of the potential displayer’s viewpoint.
f. The PAC, in coordination with assigned Village staff, may preview and accept or
reject every piece of art before it is displayed and such decision is final.
g. Each work of art may be identified with a title, the name of the artist, and contact
information, which may include a quick response (QR) code with additional information from the
artist. No commercial sales of art work shall be permitted, except that sales of art work for
which a portion of the proceeds are donated to the Village for the acquisition and promotion of
City of Cherry Hills Village
Art Display Policy
Page 2 of 2
public art as agreed upon by the Village acting by and through the PAC and the artist may be
allowed at the discretion of the PAC or City Manager.
h. The Village and the artist shall enter into an Art Display Agreement in a form
approved by the City Attorney.
V. POLICY REVIEW: The City Council may review, revise or revoke this policy on an as
needed basis in its sole discretion.
ATTEST:
44U/L7
Laura Smith, City Clerk
(SEAL)
EXHIBIT B
City of Cherry Hills Village
Policies and Procedures
Adorted by Resolution 4, 2014
Amended by Resolution xx, Series 2019
Art Display Policy
CITY OF CHERRY HILLS VILLAGE
ART DISPLAY POLICY
I. AUTHORITY: The City of Cherry Hills Village (the “V414agecj”) has the authority under
its home rule charter and pursuant to its general municipal powers to own, operate and manage
its public buildings and facilities.
II. PURPOSE OF POLICY: The purpose of this policy is to provide guidance regarding the
selection and responsibilities for art placed in any public building owned, operated or managed
by the Village yjyVillage Buildings”).
III. SCOPE: This policy governs (a) the selection of art for display in çjyVillage Buildings,
each designated as a nonpublic forum, (b) responsibility for loss or damage to such works of art,
and (c) obligations on display and removal.
IV. POLICY:
a. The City Council recognizes that all V11age—QBuildings serve as workplaces
for Village çjy_staff and emergency personnel and thus designates each Village çjBuilding
as a non-public forum. The use of Vllage cjy_Buildings is primarily assigned for V4l4agecjy-
related business. On a limited basis, as set forth in this policy, designated areas within Vi1lae
cjBuiIdings are available for display of art work.
b. The Cherry Hills Village Public Art Commission (“CHVPAC”), in coordination with
V4l1age-çj staff, as may be assigned by the City Manager, are charged with the responsibility
for selecting and coordinating the arrangement and display of art work in Village—cJBuildings.
c. The Village—City_is a participant in an intergovernmental risk sharing
insurance pool and does NOT insure the art work displayed in any V-itlage-City_Building
not owned by the City.
d. Any artist who loans art work for display in Village-City_Buildings bears the
risk of loss from damage, destruction, or theft of the art work while it is in the care of the
Vil4ageçjy. Although reasonable efforts are made by the ViIlageçj, its employees, and
officials to protect art work loaned for display, the V-i-tlage--City_CANNOT assume any
liability or responsibility for loss, damage or theft of the art work.
e. In selecting art for display, the CHVPAC and assigned Village City staff shall
comply with the laws and policies of the V4llageçjy. The V4l4age—City_prohibits unlawful
discrimination and disruption of the workplace. In the interest of promoting effective and
City of Cherry Hills Village
Art Display Policy
Page 2 of 2
essential governmental services to its citizens, the Village çJy_desires to retain its impartiality
and the associated public trust and therefore will not accept works of art for display that are
aesthetically displeasing, politically oriented, or offensive to segments of its citizenry. The
VII §e-çfy_may make acceptance distinctions on the basis of subject matter of the art work but
will not base such display decisions on the basis of the potential displayer’s viewpoint.
f. The CHVPAC, in coordination with assigned Village cjty.staff, may preview and
accept or reject every piece of art before it is displayed and such decision is final.
g. Each work of art may be identified with a title, the name of the artist, and contact
information, which may include a quick response (QR) code with additional information from the
artist. No commercial sales of art work shall be permitted, except that sales of art work for
which a portion of the proceeds are donated to the Village jyjor the acquisition and promotion
of public art as agreed upon by the Village çjyacting by and through the QPAC and the
artist may be allowed at the discretion of the CHVAC or City Manager.
h. The V4t1age-yand the artist shall enter into an Art Display Agreement in a form
approved by the City Attorney.
V. POLICY REVIEW: The City Council may review, revise or revoke this policy on an as
needed basis in its sole discretion.
this 15th day of April, 2O1
Douglas M. Tisdale, Mayor
ATTEST:
Laura Smith, City Clerk
(SEAL)
CI-IERRY HILLS VILLAGE
COLORADO
2450 F. Quincy Avenue Village Center
Cherry Hills Village, CO 8013 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-76l9386
ITEM: 7c
MEMORANDUM
TO: THE CHERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPIE, CITY CLERK
SUBJECT: BIG BRONZE WALKING EYE FLOWER
DATE: OCTOBER 28. 2019
ISSUE
The loan period for Big Bronze Wa/king Eye Flower will end in July 2020.
DISCUSSION
Per the loan agreement the two year loan of Big Bronze Wa/king Eye Flower by James Surls will
end on July 13, 2020. Possible options for the CHVAC’s consideration include:
• Remove the piece per the current loan term no cost as the Parks I)epartment staff and
equipment can be used
• Request an extension to the loan period from the artist any additional cost would have
—
to be negotiated with the artist
• Purchase the piece cost would have to be negotiated with the artist
Staff is seeking the Commission’s direction in order to update the proposed 2020 budget if
necessary.
ATTACHMENTS
Exhibit A: Proposed Cl-I VAC 2020 Budget
(;:\.v!I•.\M\c:l.I•RK\\rr (:ol11l11lssIo\luti, Iclats\2UI9 )lcutiin Pickus\ IU28l)\Ium 7c - BIE Bronw \\‘ilking I”v II)\Vcld(,C
EXhIBIT A
2019 Budgç 2019 Estimate 2020 Budgç
Maintenance for City owned art:
Charlo $300.00 $300.00 $300.00
Chainsaw $125.00 $125.00 $125.00
Rubric $75.00 $75.00 $200.00
Quincy Farm Mangold $0.00 $0.00 $0.00
Annual Event:
Commissioner
Invitations $905.00
donation $1 ,000.00
Stamps/Envelopes/Name Tags $0.00 $337.97 $100.00
CHLP
Speaker gift $50.00
Donation $50.00
Art Donation
Host gift $115.00
Account $115.00
Commissioner
Food & drink $0.00
donation $3,000.00
City Hall
Valet $0.00
parking lot $1,000.00
Sculpture-on-loan Program:
Surls Loan (20 18-2020) paid to artist
- $7,000.00 $7,000.00 N/A
Surls Loan (20 18-2020) installation
- N/A N/A N/A
Suns Loan (20 18-2020) video
- N/A N/A N/A
Surls Loan (20 18-2020) plaque
- N/A N/A N/A
Salge Loan (2019-2021) paid to artist
- $4,000.00 $10,000.00 N/A
Salge Loan (20 19-2021) installation
- N/A $966.96 N/A
Salge Loan (2019-2021) plaque
- $180.00 $180.00 N/A
2020 Sculpture-on-loan (2020-2022) -
N/A N/A
paid to artist $10,000.00
2020 Sculpture-on-loan (2020-2022) -
N/A N/A
installation $2,000.00
2020 Sculpture-on-loan (2020-2022) -
N/A N/A
video $1,500.00
2020 Sculpture-on-loan (2020-2022) -
N/A N/A
plaque $180.00
Aiifi New City Hall.
Permanent sculpture (artist proposals,
$180.00 $0.00
paid to artist. installation, video. plaque) Separate Fund
Hanging System N/A Separate Fund N/A
Other:
Name plates for new Commissioners $0.00 $14.67 N/A
ThereSquared, LLC $8.000.00 $8,000.00 $8.000.00
CHLP Trail Walk kid art supplies $70.00 $70.00 $70.00
Total Budget: $21,000.00 $21,000.00 $21,000.00
Less Total Expenses: $21,000.00 $27,069.60 $27,640.00
Remaining Budget Funds: $0.00 -$6,069.60 -$6,640.00
Cl-jERRY HhL,LS VIuAGE
CoLoRADo
2451) E. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 7d
MEMORANDUM
TO: THE CI-IERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPIE, CITY CLERK
SUBJECT: BUTTERFIELD DONOR PLAQUE
DATE: OCTOBER 28, 2019
ISSUE
Where to hang the Butterfield donor plaque in tile flW City Hail.
DISCUSS! ON
Staff is seeking tile Commission’s direction OIl where in City Hail to hang the plaque listing tile
donors for tile Deborah I3utterfield Char/u sculpture.
The Butterfield plaque is 45” x 30” and weighs approximately 50 pounds. Chair Polumbus and
Commissioner Warren suggest the plaque be hung on the stone wall in tile main atrium of City
Hall, facing tile ilailway leading to Council Chambers. Other options include in tile ilaiiway
leading to Council Chambers against tile while wall by the water fountain; in tile main atrium
silaring tile main wall with High Line Regulars, and the stone wail in tile main atrium across
from tile public restroom hallway. Exhibits A and B show tile plaque against the stolle and white
walls. Chair Polumbus also provided a photo of a similar plaque at Kent Denver (see Exhibit C).
Staff ilas attempted to contact the creator of tile plaque for suggestions but it appears tile business
has closed. Staff believes that hanging tile plaque on tile stone wall by tile front entrance should
work but is requesting that if the Commission prefers that location they also provide staff with an
alternate choice in case it is not feasible.
ATTACHMENTS
Exhibit A: Butterfield Plaque Stone Wall Background
Exhibit B: Butterfield Plaque White Wall Background
Exhibit C: Kent Denver Plaque
C :\( :i ( ;ouiicil\? IIC—’,I I
EXHIBIT A
EXHIBIT 13
4
j
,
‘
.
I F
.
-
—
S -
KENT DENVER SCHOOL
I DINING HALL
4 -
f Dedicated March 16, 2011
We gratefully acknowledge the following supporters for their vision, leadership, and
generosity
LEADERSHIP CIRCLE
—
The Hewit Foundation / Rich and Christie Andrews ‘73 • Katie and Scott Schoelzel —
FOUNDERS CIRCLE
The Anschutz Foundation • Louisa and Bobby Jornayvaz • Morgridge Family Foundation
• Kathryn andTim Ryan • Betsy Searle and FánHy
BE&dORSCIRCLE
Anonymous • Paents of Ashley Dimond ‘10 and Sonja D,morn ‘15 Sally anIiy13iincan • Joan Di1 Francis ‘50 • Michaela Kolberg
Staci Mantegazza • The Padgett Family • Margot and Marc Pinto • Sodexo
— PATRONS CIRCLE - -.
- -
nonymous • Jennifer and Kevin Allen • Joel Aj4e1 • Barton Family Foundation • Borgen
Family Foundation • Angie and Jeremy Flug
eIy and K C Gallagher ‘87 • Martha and John Cart • Jane and Todd Horn • Patty and
Mike Imhoff • Kevin Kearney and Sally Scott, MD
Anne and Tom McGonagle ‘77 • Chris and Kent Petre • Martha Records
and Rich Rainaldi
Faye Weitzman and James Rubin • Marian and Dan Seff
of Trustees President: Kathryn Ryan Head of School: Todd Horn, Ed.D. Assoc. Head of School and Project Director: Jerry Walker
—
CHERRY HILLS VILLAGE
COLORADO
2450 E. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 7e
MEMORANDUM
TO: THE CHERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPIE, CITY CLERK
SUBJECT: AUTHOR EVENT
DATE: OCTOBER 28, 2019
ISSUE
Hosting of an Author Event at City Hall.
DISCUSSION
Former Mayor Laura Christman and resident Alice Abrams have both approached the
Commission about having the CHVAC host an Author Event at City Hall. At the August 26,
2019 meeting the Commission approved supporting an Author Event with the understanding that
the Commission will not expend any funds on the event.
Commissioner Lynch is working with former Mayor Christman and City staff to organize the
first event which will likely be held in 2020.
G.\Cir- Council\MTG-MEMO
CHERRY HILLS VILLAGE
CoLoIDo
2450 E. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 8a
MEMORANDUM
TO: THE CHERRY HILLS VILLAGE ART COMMISSION
FROM: LAURA GILLESPiE, CITY CLERK
SUBJECT: WINTER CELEBRATION CRAFT TABLE
DATE: OCTOBER 28, 2019
ISSUE
Does the CHVAC want to assist PTRC and staff by managing a craft table inside City Hall
during the City’s annual Winter Celebration Event?
DISCUSSION
The annual Winter Celebration event will be held Friday, December 13th from 6-8 pm at City
Hall. Staff is planning to have a craft table available for children inside City Hall during this
year’s event. Staff is seeking direction from the Commission if they would like to participate by
managing the table during the event.
G:\Citv Council\MTG-MEMO
CHERRY HILLS VILLAGE
COLORADO
2450 E. Quincy Avenue Village Center
Cherry Hills Village, CO 80113 Telephone 303-789-2541
www.cherryhillsvillage.com FAX 303-761-9386
ITEM: 9c(i)
MEMORANDUM
TO: THE CHERRY HILLS VILLAGE ART COMMISSION
FROM: JESSICA SAGER, DIRECTOR OF FINANCE AND ADMINISTRATION
SUBJECT: FINANCIAL UPDATE
DATE: OCTOBER 28, 2019
2019 Budget
Below is the Commission’s 2019 budget. The Commission’s request for a total of $21,000 in
2019 to cover Ms. Peterson’s rate increase was approved by City Council.
2018 2018 2019
Budget Actual Budget
A4ain tenance Jr City owned
art:
Charlo $400.00 $300.00 $300.00
Chainsaw $100.00 $125.00 $125.00
Rubric $100.00 $75.00 $75.00
Quincy Farm Mangold $670.00 $0.00 $0.00
Annual Event
Invitations $0.00 $0.00 $825.00
Stamps/Envelopes/Name Tags $130.00 $0.00 $80.00
Speaker gift $50.00 $0.00 $50.00
Host gift $100.00 $112.00 $115.00
Food & drink $3,000.00 $0.00 $0.00
Valet $1,000.00 $0.00 $0.00
Sculpture-on-loan Program
Surls Loan (paid to artist) $7,000.00 $8,000.00 $7,000.00
-__________
__
Suns Loan (engineer letter,
concrete, mixer) $300.00 $640.02 N/A
Suns Loan (video) $0.00 $1,300.00 N/A
Suns Loan (plaque) $150.00 $180.00 N/A
2019 Sculpture-on-loan N/A N/A $4,000.00
Plaques for New Art $0.00 $180.00 $360.00
ThereSquared, LLC $7,000.00 $6,525.00 $8,000.00
CHLP Trail Walk kid art
supplies
$0.00 $111.00 $70.00
Total Budget: $20,000.00 $20,000.00 $21,000.00
Less Total Expenses: $20,000.00 $17,628.02 $21,000.00
Remaining Budget Funds: $0.00 $2,371.98 $0.00
2019 Expenses
Art Commission donation account $32,254.00
2019 Budget $21,000.00
Expenses:
Stamps $187.97
Labels and name tags $150.00
New Commissioner name plate $14.67
TheneSquared LLC (January) $510.00
ThereSguared LLC (February) $531.25
ThereSquared LLC (March) $63.75
ThereS quared LLC (April) $403.75
ThereSguared LLC (May) $403.75
ThereSguared LLC (June) $446.25
ThereSguared LLC (July) $63.75
ThereSguared LLC (August) $382.50
ThereSquared LLC (Really engineer expense reimbursement) $500.00
ThereSguared LLC (September) $170.00
Sculpture Services of Colorado $500.00
Salge Loan (paid to artist) $10,000.00
Installation of Really (plaque & platform expenses) $646.96
Surls Loan (paid to artist) $7,000.00
Anticipated Expenses:
ThereSquared LLC ($8,000 total for 2019) $5,025.00
Trail Walk kid art supplies $70.00
Total expenses: $27,069.60
Ending funds available: ($6,069.60)
Funds received for annual event: $11,775.00
Remaining Art Commission donation account funds: $37,959.40
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