Historic Preservation Commission
Regular MeetingFresno, CA · August 27, 2018
Minutes
City of Fresno
City Hall
2600 Fresno Street
Fresno, CA 93721
Meeting Minutes - Final
Monday, August 27, 2018
6:00 PM
Regular Meeting
Fresno City Hall, Second Floor
Room 2165N (Conference Room A)
Historic Preservation Commission
Chair Patrick Boyd
Vice Chair Jason Hatwig, LEED, AP, BD+C
Commissioners:
Robin Goldbeck; Paul Halajian, AIA; Ron McNary;
C. Kristina Roper, M.A.; Don Simmons, Ph.D.
Staff:
Daniel Zack, AICP Assistant Director; Laura van Onna, Historic
Preservation Specialist; Amber Piona, Planner II, Recording Secretary;
John Hastrup, Deputy City Attorney II
Historic Preservation Meeting Minutes - Final August 27, 2018
Commission
The Historic Preservation Commission welcomes you to Room 2165, located in City Hall,
2nd Floor, 2600 Fresno Street, Fresno, California 93721.
The City of Fresno’s goal is to comply with the Americans with Disabilities Act (ADA) in all
respects. The meeting room is physically accessible. If, as an attendee or participant at the
meeting, you need additional accommodations such as interpreters, signers, assistive
listening devices, or the services of a translator, please contact the Office of the City Clerk
at (559) 621-7650 or clerk@fresno.gov. To ensure availability, you are advised to make
your request at least 48 hours prior to the meeting. The agenda and related staff reports
are available at www.fresno.gov, as well as in the Office of the City Clerk.
I. CALL TO ORDER AND ROLL CALL
The meeting was called to order by Chair Patrick Boyd at 6:05 PM.
Commissioners Present: Patrick Boyd, Robin Goldbeck (arrived 6:11PM),
Paul Halajian, Jason Hatwig, Ron McNary, Don Simmons
Staff Present: Laura Groves van Onna, John Hastrup (CAO), Amber Piona,
Dan Zack.
Present 6 - Chair Patrick Boyd, Vice Chair Jason Hatwig, Commissioner
Don Simmons, Commissioner Ron McNary, Commissioner
Robin Goldbeck, and Commissioner Paul Halajian
Absent 1 - Commissioner C. Kristina Roper
II. APPROVE MEETING MINUTES
A. ID18-1015 Approve Minutes for April 23, 2018.
Attachments: HPC_Minutes_Apr_23_2018
The minutes for April 23, 2018 were approved 5-0 with a motion by
Commissioner Halajian and a second by Commissioner Hatwig.
Commissioner Goldbeck was not present for this vote.
B. ID18-1016 Approve Minutes for May 21, 2018.
Attachments: HPC_Minutes_May_21_2018
This item was left open until the arrival of Commissioner Goldbeck and
voted on after VI: Commission Items. Commissioner Simmons and
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Vice-chair Hatwig, having not attended the May 21, 2018 meeting,
abstained from voting.
The minutes for May 21, 2018 were approved 4-0-2 with a motion by
Commissioner Goldbeck and a second by Commissioner McNary.
III. APPROVE AGENDA
The agenda with was approved 5-0 with a motion by Commissioner Hatwig
and a second by Commissioner Simmons. Commmissioner Goldbeck was
not present for this vote
IV. CONSENT CALENDAR
None.
V. CONTINUED MATTERS
None.
VI. COMMISSION ITEMS
A. ID18-1017 REVIEW AND COMMENT ON THE PRE-APPLICATION,
CONSISTING OF CONCEPTUAL ADAPTIVE REUSE PLANS,
FOR THE ELIA HOME (HISTORIC PROPERTY #311)
LOCATED AT 634-640 VAN NESS AVENUE PURSUANT TO
FMC 12-1606(a)(2) and (b)(23).
Attachments: Elia Home Pre-Application Attachments
Commissioner Paul Halajian recuses 6:08 PM
Historic Preservation Specialist Laura Groves van Onna presented the staff
report for the conceptual rehabilitation/ adaptive reuse plans for Historic
Property #311, the Elia Home (634-640 Vann Ness Avenue). The purpose of
this review and comment is to initiate discussion and provide advisement
before moving forward in preparation for a proposed project. Review of a
Pre-Application is not formal project review, cannot result in an approval or
denial, and may not be relied upon by the applicant for any purpose other
than obtaining generally-applicable information about the historic review
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process. Conceptual plans include a change of use to commercial. Staff’s
primary concern is the façade and setback as these are character-defining
features of the historic resources that are readily visible from the public
right-of-way.
Commissioner Robin Goldbeck arrives 6:11PM
Chair Patrick Boyd: [to Historic Preservation Specialist Laura Groves van
Onna] could you go back through and make sure that [Commissioner
Goldbeck] can the see the images at the beginning of the presentation she
missed?
Historic Preservation Specialist Laura Groves van Onna: Sure [shows the
presentation slides Commissioner Goldbeck missed].
Commissioner Jason Hatwig: Do you have the photos from the primary
record?
Groves van Onna: I have a print out of it.
Hatwig: I ask because there is a picture in there that shows the adjacent lot
that is right now vacant, with a building in it. I am wondering about the side
yard and if it acts as a frontage or not based on the evidence that houses
originally sat next to it.
Groves van Onna: Which side lot, the south or the north?
Hatwig: The south.
Groves van Onna: It’s a vacant lot.
Hatwig: Yes, it’s been vacant since the 1990s, but there used to be a home
there.
Commissioner Don Simmons: Where is the glass garage door being
proposed?
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Groves van Onna: [indicates where on the map]
Hatwig: There were steps at one point that led up to the upper floor.
Commission Robin Goldbeck: What is the distance from the building to
actual property line?
Public Comment Open
Phillip Kliewer (owner of 640 Van Ness): 11 feet on the south side and
about the same on the north side from the duplex to the property line. That
stair to the second floor; that second floor door was actually added at some
point; it used to be a sleeping deck but was enclosed. It’s our intention to
not put that stair back in if possible. When we had the pre-application with
the city, the fire department said that the square footage might be low
enough to not require it to go back, and if we did need to, it would be
preferable to put it on the north side of the building. The north side of the
building is more of a back of house type of area, behind the store front. The
store front door in the back was added (you can see it in the rendering) there
is a pass through from the backyard to the front of the storefront. Can I talk a
little bit about our concept and why we’re designing it the way we are?
[Indicates rendering on screen] Right now if you go past the building there’s
a fence, it’s not optimal but necessary for the security of the site. We’re
bordered by two dirt lots and there’s a large population of people who are
looking for places to hide out for the day. We’ve had two break-ins, one just
two weeks ago. Security concerns are a big part and we feel that elevating
the deck out front would alleviate it. Across the street is just parking lots; it’s
not Fulton St (we wish it was). We feel elevating it a little bit; even just that
mental elevation is something that will help. Also, it gets hot out front; I like
this trellis idea more so up front than on the side because it gets glaringly
bright and hot in the day. I think trellis would hide the building less than a
bunch of umbrellas. I think the rendering makes it look like there’s a huge
deck out front, but we’re talking about ten feet, maybe. A site visit would
make that clear, what we’re hiding is everything below the elevation of the
front porch, which is 18 inches. I would get rid of the trellis on the side and
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extend it out front. I would put it closer to the edge of the fence. Without
some kind of elevation or some kind of shade up front it does not become a
useable space up front. Otherwise we’d bring back a fence that’s covering
the deck and the front 18 inches of that porch just as much of this deck is.
We could consider tiering down a bit front the deck, we’re talking about
maybe 10 feet and ADA accessibility starts to become more of an issue. Our
main focus is the backyard, but we would love to create some front of
presence with people in the front of the building to help this area of
downtown and without an attractive seating area, it’s not going happen. We
feel that we may be hiding a little bit with this trellis, but at the same time,
but is like makeup hiding a woman? Not necessarily, we feel like it’s
enhancing the whole property. Maybe that’s a terrible analogy. We’re really
trying to enhance the building and attract more people to it. The biggest
alteration is the back roll up door, for sure. We could just take this building
we could keep it residential, keep it low rent and not put much money into it.
But we want to make this area of downtown special and in order to do that
we need to think a little bit outside of the box. We want to make something
that’s special; we’re trying to make our dream go wild and not settle for
keeping it the same as it was.
Chair Patrick Boyd: Any questions for the applicant? [to the applicant]
Anything else you’d like to comment on?
Kliewer: If you have questions, I’d love to answer them. There are a couple
things we’re definitely not going to do. Right now it shows the storefront
covered with wood. We’re not doing the wood, we’re keeping the stucco Art
Deco type moldings on the front. This was a conceptual rendering.
Assistant Director Dan Zack: Are the materials or anything being changed
on the front of the house?
Kliewer: We’re playing with colors, but not changing the siding. Right now
the building is white. It’s blindingly white; we’d like to tone it down a little. It
wasn’t always white, at one point it was aqua blue. I’m not sure what the
original color was, I think the white detracts from the building. This building
isn’t the Meux Home, there aren’t a million different details all over the
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place, but there is some. We would like to use color to accentuate the
detailing of the building. There are way too many white or gray or beige
buildings downtown.
Hatwig: Regarding ADA accessibility, with the State Architect because it’s a
historic building you do get leniency on certain items; is it possible to have
the access to go the back? It would give you more space in the front.
Kliewer: On the south side, we do have the same ramping situation because
of accessibility. We’re ramping up from both sides up onto the deck.
Zack: Is that the narrow brown band along the south side of the house that
we’re seeing. So you’d go up along the side and track back?
Kliewer: Yes, sir. I don’t think we get too much leniency for the first floor
because it’s a restaurant. If it was an office we’d have more leniency. I was
going to talk to the City’s ADA person [Jan Bier, Architect] to do a
walkthrough with her before we finalize plans. At this point we’re not
planning on asking for any exceptions; I don’t want that to be an issue going
down the road.
Commissioner Don Simmons: Thanks for putting the ADA access on the
front. Often times when the ramps or other accessible access points are in
the rear of the building it makes a person with a disability feel like a second
class citizen. It’s a back of the bus mentality.
Goldbeck: From a federal standpoint [lost to crosstalk] access from the
right-of-way.
Kliewer: I have a daughter with a disability and I am very aware of that, and
mindful of it. I don’t want any part of this place (except maybe the second
floor office) to have any kind of prohibitive nature. That is what pushes me
away from doing a tiered front system. I don’t want there to be a bunch of
little steps that preclude someone from spending time anywhere on this site.
Hatwig: I am okay with the trellis in a side yard because the side yard wasn’t
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originally a frontage, which is what I pointed out earlier. Not only that, side
yards on these buildings often had covers; awnings and things.
Kliewer: I’ve seen a picture; there was one here at one time. You can see in
the front picture, there’s actually like a driveway ramp that was where they
parked. I’ve seen a picture of a lean-to carport that must have been taken
down at some point. There are some old railway ties that used to have
supports on them. One of the only conditions that we had with the
pre-application with the City was that we were going to have to take the
driveway out when we change from residential to commercial. There will
have to be some grading because of ADA going up to that side yard. We
have to balance visual appeal from the outside with keeping it as
historically pristine as possible. We’re conscious of that. Security is a huge
issue on this site. We installed a bunch of security lights last weekend and
this fence soon after we purchased the place. Every time I’ve come by there
has been someone sleeping on the porch. We know this will be an issue.
We want to design it so we’re not putting in barbed wire fences or wrought
iron fences that are curved with spikes. I think there’s a way to do this so
that it doesn’t look like it’s secure, but it really is. It’s really about making
your property somewhere that isn’t easy to sleep in, we can use gates or low
fences. Even a low fence or landscaping can prevent people from
trespassing. We will try our best to keep as much of this building as visual
as possible from the street. We’re trying to make the raised deck as
transparent enough so that you can see the front of the building. I think
having people out front, experiencing the building, they may not see the
bottom 18 inches, but at least they are there being a part of this 100-year old
building; it’s a good trade-off.
Hatwig: It appears your trellis isn’t attached to the fabric of the building; it’s
off set?
Kliewer: Yes. I want to hold it back a little bit. Standing at the steps, or
where they used to be, you’ll be able to see all the way up [the building] and
all the way down.
Boyd: One of the things that we often see on historic properties is kind of a
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backpack concept. That’s where you leave the front façade as historically
accurate as possible and then you put on essentially a backpack, which
handles all the new amenities needed to make the building work for modern
applications. The backpack concept is something that we’re familiar with,
but this is more of a front pack.
Kliewer: Yes, totally, it’s a fanny pack.
Boyd: I think the backpacks that work well are the ones that try not to match
the building. The new portion will use a distinct modern design to keep the
new and the old distinct. That might work well in this application here. Your
lines for your railings and lines for your trellis are thinner and cleaner, and
you have the old building coming out of the modern wrap. Keep everything
separate, the actual construction of it, so if a future owner wants to return it
to original, it would be a demolition with it and it would be restored. I have
no problem with what you want to do to the back, normally I think we would
ask you to leave the front pristine, and do what you want with the back and
to some degree the sides. But you don’t have any neighbors right now, so
your sides are wide open to visual access which makes it a little different. I
like the idea of what you’re trying to accomplish up front, I think there is a
solution here that is a little hard swallow because it’s a lot different than
what we normally see. Normally, this stuff gets hidden in the back yard.
Kliewer: I don’t like hiding stuff. We’re definitely doing a backpack; the
backyard will be amazing and the highlight. I hate the idea of hiding the
front out front; there just won’t be anybody out there if we don’t do [what is
proposed], it’s such a small space in front of that porch that if we don’t do
this it’s not going to be used. With this design you could have a party out
here; people could rent that space for public party. Maybe someday this is
what brings more development to this corner of downtown. We’re shooting
for the stars with this, we know that. I half expected this to be all shot down.
Boyd: We can’t deny the value of the use of this space. What this body is
looking at is the architecture, the façade. While all those comments are
good and right, we’re only looking at it from an architectural space. If your
desire is to put this space out here, then our concern is that the solution is
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going to be respectful of the original building and architecture and not
detract from the building from the public’s perspective, not the validity of
having a seating spot out front.
Goldbeck: I think this genesis is working its way towards something we can
work with, from the first one which was a big block in the front to the latest
rendering. I think some more careful detailing will help. I am not convinced
that the entrance straight shot up is the only answer. I would encourage you
to explore other ways to get into the building. I like the trellis out there (I
know this schematic) I would think about different detailing that honors that
original architecture.
Boyd: You have two comments there, mine which is push it more modern
and [Commissioner Goldbeck’s] which is get it closer to the building and
you can go two different directions and both would work.
Kliewer: Could I get clarity -- would this be rejected if I submitted it; what
could I change to get it not rejected? This isn’t a huge space (although it
looks it here). Because of the slope of the property coming from the
sidewalk as well as the actual space from the sidewalk to the front porch,
there isn’t much space and quite a bit of elevation difference. There’s only
so much we can do playing with ramps and stairs. Actually having a uniform
fence, whether it looks like this or like something else, looks better, in my
opinion, than having a ramp up front. We’re not married to this, we’re not
married to doing a trellis out front or even a deck out front, and this is
secondary everything else we’re doing in the back. It’s great that you like the
backpack and are okay with the roll up door.
Goldbeck: We don’t have jurisdiction over that.
Kliewer: That is something I’m confused about.
Commissioner Ron McNary: How deep was the original front porch? If it’s
deep enough you could put tables on the porch without the trellis.
Kliewer: It’s about 6 feet, you could fit one or two tables without impeding
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traffic.
McNary: Ideally we’d like the façade to stay the same without an added
deck. You could have intimate seating on the front porch, and it may work
just as well as a deck, and you could keep the large seating in the back.
Kliewer: There isn’t much space; the storefront impedes into the porch about
one quarter of the way. We’re talking about 18ft by 6 ft or 20ft by 16 ft. With
the two doors, one to the second floor and one to the first flood, then you’re
talking about placing one or two tables. It’s not a big useable space. With
just a few people out front it’s a lonely scary thing, I personally wouldn’t
want to sit there by myself. We would end up doing that if our proposal
wasn’t allowed, but it wouldn’t be a big useable space and it would end up
being a bunch of landscaping.
Hatwig: We don’t have jurisdiction over rear elevations because they are not
public spaces. That’s why a lot of historic homes did additions in the back,
back there is pretty much free-range. It depended on the context, too. We do
have historic homes where the rear does have an alley and there is a public
view. In this particular scenario the back is pretty much free range.
Kliewer: That’s great, that’s fantastic. That was the way we were proceeding,
although we are trying to keep it somewhat ‘vintage’. We’re not trying to take
this and make it a new age thing, we’re definitely going to have stuff that is
modern because the times.
Hatwig: We do also have options here to form subcommittees. We’ve been
able to create a subcommittee when we’ve had some interesting projects
that came up, like the Caltrans bridge [Belmont Overpass], where the
context was presented far off from the input we were giving and so there
was an ability to work through those in a tight group, one-on-one setting, for
guidance and giving the owners some additional help. I think that might be
valuable to something like this project, because it is unique. It’s not Fulton
Mall, it’s not in a neighborhood with a bunch of homes and buildings around
it; it’s a very unique scenario. A subcommittee could be an option that would
be very helpful.
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Kliewer: We’d be open to that.
Simmons: I just spent 9 days in what I call the Land of Adaptive Reuse,
Columbia, SC, Augusta, GA and Greenville, SC. These places bill
themselves as Not Charleston. Older buildings, less fear. I like what you did
here, I ate in a restaurant called the Trellis which is in a revolutionary era
house surrounded by a trellis on all four sides that do not attach to the
house, but gave lots of eating and drinking space along the whole rear of
the house. I have eaten in many of these types of restaurants in Columbia,
drank in more of them.
Kliewer: I nominated you to be part of the subcommittee!
[All]: [laughter]
Simmons: I agree with Patrick, you could go further, go more modern with
those trellises. I like the front porch, so much of what they’re doing is
inviting people to walk in. [similar places in South Carolina and/or Georgia]
also used a gate because of the same urban issues we have here. Also
these are hot places, Columbia’s nickname is Hot City; it’s hot there with
humidity, so sitting under a trellis with sprayers was a different experience
than sitting under a trellis with a sprayer here. I like that, I like coming out to
Van Ness. I am surprised you didn’t do something behind the pop out
building addition on the front, on that side, because I thought you could use
extend your backyard space over there and that way you’re facing the
galleries.
Kliewer: There is a dirt lot on that side as well. There’s a good chance that
that back area behind the storefront will become more back-of-house type
stuff. Because it’s a restaurant we have to put stuff like restrooms for the
public and that [area] might be a prime candidate to hide back there behind
that [building]. Right now we’re looking into turning that storefront into a
commercial kitchen for the restaurant with possible access from the front.
While I love the idea of putting people back there, if we did that, it might be
at a second floor elevation.
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Simmons: As for me, what you’ve presented here. I say go for it. Go further!
The design of the trellis and the fence could be significant in themselves
from another era, and because I’ve seen so much of pulling early 2010s
thinking on 18th century housing [on my recent trip]. I wish we had more of
this here. The communities I visited advertise themselves as Not
Charleston, because the restrictions that Charleston puts on historic
structures prevents them from being useable buildings. While this is what
draws visitors to come look at them, it prevents locals from having things
like a bar next door or a business in a neighborhood they can walk to. My
mother lives in Hazelton, a historic district, and she has to go far out of the
neighborhood to get to a grocery store. The neighborhood is picture perfect
unless you have to live there. Columbia said that they wouldn’t do that, so
adaptive reuse in houses just like has resulted in shops in the front yards. I
think you can get there. I was thinking about Robins in Cambria where their
outdoor area has more dining than their indoor area. I am really excited
about what you presented here, and look forward to having what you’re
showing downtown, where people can walk to and walk into from the street
when they’re out at Art Hop.
Hatwig: This reminds me of Rainey Street [Austin, TX]. What I love about
Rainey Street is that even though their buildings are painted eccentrically, it
brings you to the historical context because it’s familiar and not familiar and
draws you in. I do love adaptive reuse, and obviously there’s a way to do
where the old and the new are distinct. I love the idea of front yard usability.
Kliewer: Rainey Street is a big inspiration, as well as countless other places
across California. Fresno doesn’t really have a lot of historic houses that are
used for commercial purposes like this. We have it in Clovis, there’s a lot of
that in downtown Clovis, which is great, but not in Fresno and not in this
part of Fresno. We’re trying to take the old and preserve it, we’re not going
to change a single thing on the columns and the railings (we are going to
have to raise them a little bit for safety, but it’s going to look exactly the
same), but we’re going to add right up to it. We’re not interested in changing
the house, but we’re going to make it more comfortable for people, lots of
people to be at. Useable space that draws people in from the front to the
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back, not just straight to the backyard; let’s start up front. The sidewalk is the
entrance not the front door. I love Rainey Street, that’s the best, having
people all over. Let’s put a band on the porch, let’s make some noise. We
can, so why not?
Boyd: Are we pro-front yard design?
Goldbeck: I am not opposed to this. I am hearing that we would approve
something different from the existing house.
Boyd: I want to get a sense of where we are about the idea of putting
anything in the front yard.
Goldbeck: I am okay with that. I think it needs some tweaking.
Boyd: [to Hatwig] You sound like you’re pro.
Hatwig: Yeah, specifically because there is nothing adjacent to it; it would
be different if it was just a neighborhood. In this instance, I am super pro.
Boyd: [to Simmons] You’re pro.
Simmons: Yes.
Boyd: [to McNary] Pro, anti? How are you feeling about this one?
McNary: I am a restorationist. I like to see things in their natural state. I am
not really happy with the raised deck all the way to street; I could do a trellis
if it was in keeping with the house. I am not fond of the idea of putting
something completely separate look, because I am a restorationist. I think
the back is the place for where things could be done, which is why I
suggested making tables on the front porch if you wanted something visual
out front.
Boyd: I am drawn towards the idea of putting a system up like this as a
solution. I think it’s a solution for many reasons, but it’s a sensitive one
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because we are covering up so much of the front façade. My vote would be
to move forward with this, but as [Commissioner Goldbeck] was alluding to
there are a lot of little details about putting it together. There is a solution
going more modern with the trellis/deck, and one going more
preservation-centric.
McNary: I’ve been to New Orleans a lot and there are old houses in the
French Quarter that have been made into restaurants that have small
seating areas in the front but most have courtyards in the back. I like that
because the façade is Old French Quarter New Orleans, and that’s where I
am coming from. I have trouble with covering up the façade of the house.
Groves van Onna: From what I am hearing there is openness to making the
front/side yard useable space. Are there any further design guidelines to
provide the applicant moving forward in the design process? For example,
how do you feel about the height of the front deck.
Hatwig: The rendering exaggerates the height. It’s only about not even 18
inches a drop once it gets out of the curb area. [discussion of how high
things would be.
Kliewer: I would be able to stand up and see over the top of that rail. Right
now that fence is about 4.5 feet up and 6 inches off of the sidewalk. We’re
talking about maybe a little higher than that, but more transparent.
Boyd: One of the historic aspects of a house like this, is that they had a
sidewalk that wrapped around, between the foundation and the sidewalk
there was a kind of foundation planting and outside the sidewalk was
usually turf. It’s a kind of classic landscape of that. So if you took those built
wing walls on either side of the deck there, put them in three feet and
actually did foundation planting there it would soften the weight of that
whole deck. Even if it was something as simple as an evergreen hedge
running that side, it basically takes out the negative aspects of the new
architecture and leaves the old architecture of the main building to take
center stage. You cover up the things you don’t want to see with landscape
and let the things you do want to see, the important pieces of architecture,
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come forward.
Hatwig: You may be able take the stairs on the left side and ditch them if
you make the right side be your primary access point. You can extend a
fence or gate to the right side.
Kliewer: That is the intention.
Hatwig: I don’t know if fire access needs the stairs, but it’s just a thought.
Kliewer: We’re not sure if we need those stairs if we have the ramp on the
right. There’s a good chance that maybe those just go away and that the
fence is extended all the way to the store front.
Goldbeck: Maybe a little relief of massing along that front, and in that
corner.
Kliewer: You’re saying those little rails in front of the porch, those two rails
in front of the stairs having some landscaping there? Is that what you mean?
Groves van Onna: I think you’re saying along the perimeter of the fencing.
Boyd: [gets up and explains approach on rendering projected on screen]
This is really heavy right here. Between the other rendering (that is all
white) and this one, what makes [the new rendering] nicer is that you have
this little planter box here. Just take the planter box and extend it all the way
down. These two walls essentially squeeze in like this, and this ends up
being, essentially, a hedge.
Kliewer: I think that’s a great idea.
Boyd: [continuing to point at rendering] Slim down the railing a little bit so
it’s less visible and do something with the trellis so that it’s less visible. All
this stuff disappears, turns green with landscape, which is like using a big
eraser.
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Kliewer: We were matching the railing of the porch to that front railing, is
that better or worse?
Boyd: Well again to our earlier discussion, which way do you go? You either
match it, pulls cue from the architecture of the original home and pull that
into the trellis and pull it into these railings and here, and if you do that you
need to be like spot on with all the little details. Or you go the opposite
direction and you go much more modern and maybe this is a steel trellis
and instead of having all the cross braces over the top, this is maybe steel
post and has cable, so it’s very open.
Hatwig: Even if you go the matching route, it couldn’t be the exact same,
typically, because you want to distinguish new construction from old
construction.
Goldbeck: To me, the piece that makes the context of the original stand out
is the symmetry of the old building. If you massage how your planters are,
how your wall is to pick that up even though the materials might be different
you could reflect a more symmetrical, more stately form in a new way.
Boyd: All your answers are already given to you. You have this existing
building. There is a rhythm to all the little elements of architecture, as far as
offset spacing and setbacks, and all these different things. You can literally
take the math of the architecture, use those numbers and use them in
different places.
Goldbeck: You know you have the deep eave up on top? I would think about
somehow forming the trellis in a way that sort of reflects that.
Boyd: There are all kinds of different things you could pull reference points
from. How far should this be set back? Let the building, the site, the existing
features tell you.
Kliewer: So what I’m hearing is: this is generally okay and we need to tweak
some of the detailing?
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Goldbeck: This is on its way.
Kliewer: Okay, we’re fine with tweaking.
Goldbeck: The commission is looking to honor the existing architecture, not
necessarily copy it.
Hatwig: So with that information, does a subcommittee need to be formed?
Boyd: We would all like to see it again. What’s [the applicant’s] confidence
and your designer’s confidence with what we’re telling you and taking the
advice we’re giving you and use it. We’re kind of in the weeds on details
here.
Goldbeck: I don’t know that it’s our job, even as a subcommittee, to get into
detailing that will have an effect on budget. I think our job is to give some
general guidelines and then you and the designer the budget is all under
your hat.
Kliewer: The general guidelines I’m getting from this is that this is generally
okay, the path we’re proceeding down is generally okay. We need to work
either matching elements or go a completely separate direction. But what
we’re actually trying to do, covering that 18in. façade, while not ideal, could
be done here in this instance. I don’t want to design something and then
have it be rejected.
Boyd: As you’ve pointed out, this is clearly different from what we’re used to
seeing. Question for staff: posts on the south side of driveway, as they are
set right on the property line, is that okay?
Zack: No, that’s not a problem. This is downtown, and you can build right up
to the property line. The main consideration is the historic compatibility right
because the zoning doesn’t provide any constraints there.
Goldbeck: You’re speaking to the zoning code, not the building code?
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Zack: Yes, I am. If this was in Wilson Island, for example, then there would
be side setbacks. But in this particular setting, historic non-withstanding, we
consider building shoulder to shoulder in an urban fashion to be fine and
setbacks would not come into play.
Kliewer: If this was a residential neighborhood with other residential
buildings to the north and south of it, we would probably make this a
residence. There is no residential around that area whatsoever; this
commercial use just seemed like the best fit for the property. I would love for
there to be more residential in this area. If I could buy the neighboring lots
I’d put in a mixed use building. That’s not where we’re at right now, and for
this to be viable we’re going commercial.
Boyd: Look forward to seeing the next version. This is cool.
Kliewer: Is there anything you need to see anything inside? Or does the
inside not really matter?
[All]: No.
Kliewer: The interior is going to be opened up, although we’re going to try to
keep it to the house aesthetic. Probably a little funkier, but still house.
Hatwig: It’s not often that the interior comes up. Unless there is some major
feature like a grand staircase.
Boyd: Well really, interiors come up if they are public.
Groves van Onna: Staff and Commission are available if you’d like
guidance on the interior, but you are not required.
Kliewer: I included that floor plan, so if you guys had any comments then let
me know. For the most part on the first floor we’re opening up the space.
We’re talking about doing skylights on the back roof. That is visible from the
back. It would only really be visible from certain angles from the alley. Is
there any issues with putting skylights in the second floor office space?
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Hatwig: It’s an alley; don’t think it would be an issue.
Kliewer: We’re trying to do a light well type thing where we’re showing the
structure of the [points to image projected on screen] yeah like that in the
bottom left in what was a kitchen/sleeping deck and now it’s a conference
room.
Hatwig: The good news is that there is flexibility on the sides, the back and
inside. The façades are the focal point for us.
Kliewer: Okay, just wanted to make sure.
Groves van Onna: Was this helpful?
Kliewer: Yes. Glad you guys, for the most part, liked it. We’ll keep trudging
along; we’re in the middle of design. Our structural engineer Michael Yount
is working on it. Hopefully in a year or so this will be up or running but I
won’t hold my breath.
Groves van Onna: Phillip I will provide you a letter and a copy of the
minutes in case you need to refer to them.
Public Comment Closed
Item Closed.
B. ID18-1018 STAFF PRESENTATION FOR FRESNO TROLLEY CARS
DINER (STANDARD DINER) (HISTORIC PROPERTY #099)
LOCATED AT 1731 S CHERRY AVENUE.
Commissioner Halajian returns 7:18 PM
Deputy City Attorney John Hastrup (CAO) presented information on Trolley
Cars 1731 S Cherry. The trolley cars are currently affixed to the property
and the most recent actual use was a restaurant. The general feeling is that
there is no general historic value to the property itself, just to the cars. Staff
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has been working on what we can do to preserve the cars, whether that be
by taking the property back or getting it sold in some manner, or maybe
relocating the cars. The ways of doing that include attaching nuisance liens
which now exceed the market value of the property. The current owner, it is
believed, purchased it at an online auction for some very low price several
years ago and has not undertaken serious efforts to undertake basic of
maintenance. This individual is not paying attention to the property at all,
and she might be located in Southeast Asia right now, which has presented
issues trying to get service of process on her so that staff can initiate steps
to take it back. There’s a tax lien process, so staff has attached these
particular liens, but the process will only allow the City to get the property
back if the county would move on with a tax sale, and for whatever reason
the County Council and the County generally does not seem to be interested
in pursuing tax sales on these sorts of properties. After a property is
severely delinquent, the code contemplates that the County or property tax
authority body would move forward, but this is not happening. This property
is more than five years delinquent. Another option staff is pursuing is to
create these liens into an executable judgement; it would work the same
way as a tax sale, but the City would have to cooperate with the sheriff to
hold a sheriff’s sale, and then the City itself could credit bid up to the value
of the liens and fines that have been put onto the property. If there was
another buyer interested in the property, there might be interest in this
option; the City would like to avoid getting into the same situation again.
Recently staff has been looking into alternatives and possibly using code
enforcement to move the cars themselves. The CAO has started working
with code enforcement through those alternatives. The CAO has budgeted
money to serve the owner via publication, and is hoping that the judge will
accept that service so that staff can begin trying to take that property back.
Staff will provide an update when something good happens here;
preliminary resources approved have been approved for use to move
forward.
Simmons: Is there any documentation on the conditions of the cars in terms
of movability?
Deputy City Attorney John Hastrup: Not to my knowledge. Do you [to
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Assistant Director Zack] know anything about that?
Zack: No, I don’t know if they’ve been assessed from that vantage point.
Hastrup: I will talk to our code folks. Moving the cars is a backup, we would
like the ability to take the property with them affixed because that would
leave us with the most options. We are looking into other options as well,
and there has been conversation with the adjacent owners because I don’t
think anybody is very happy with the current situation.
Simmons: To go back to the streetcars, I was thinking we could pass a parks
ordinance. Get more money to parks, and move them near the trolley barn at
Roeding Park. They’ve been there before. They’ve passed through there,
and they would then become more publicly accessible.
Boyd: Is this a unique situation or are there many properties throughout the
city?
Hastrup: With historic significance? I don’t think there are many. Now code
abatement issues? Yes there are many. There are a lot of those, and there
are many dozens that I don’t understand why they have not been subject to a
tax sale. I have no good understanding of that, our office has no good
understanding of that. It would seem that the tax sale would help, and the
whole legal structure contemplates that this is one of the purposes. It’s not
just to recover monies that are owed to the county, although the city would
get a good portion of the money in the tax sale as well. It’s also to clear up,
and for whatever reason that’s not occurring.
Commissioner Paul Halajian: when you talk about code enforcement, these
are artifacts on a piece of land; these are not buildings, correct? How would
you apply code enforcement to an artifact? Aren’t the codes written towards
maintenance of buildings and structures for human habitation?
Hastrup: They are currently considered buildings because they have a
foundation. From a legal standpoint, it doesn’t take much to convert a
movable structure to a building. You can have a very poor foundation and
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convert a cruddy old RV into a building, technically. A lot of the reason for
this is that we have different legal treatment for folks in their residences and
for commercial buildings. It’s a little more difficult to apply some sort of code
enforcement theory to remove something that is currently considered a
building from a property. There are some arguments; I think there is concern
about these things being broken into. There are no real vested property
rights that anyone’s hugely concerned about by leaving them there. It’s not
like there’s a person living in them or a tenant trying to do something. But
you’re right, I think to do it exactly legally correctly there would have to be
some care taken and I think you’d have to argue that leaving them as
buildings poses a problem. Our code enforcement attorneys who are
working on it are looking into that. If we didn’t get the judge to accept the
service by publication, it could be in the next few months that we could start
the levying process to take them back. We just need to satisfy the due
process of taking away someone’s property and you can delay things a fair
bit by just being out of the country and unable to be served, unfortunately.
Boyd: They’re not going to send you to Southeast Asia to deliver papers?
[All]: [Laughter.]
McNary: To abandon a property is giving up your rights to it… isn’t there
something…?
Hastrup: Well, in terms of just declaring a property abandoned, not
specifically just that. Usually that occurs through the failure to pay taxes or
some other thing, but merely leaving it, in and of itself without another
problem, we can’t just take it.
Groves van Onna: The owner of the property has also been unresponsive.
Hastrup: Yes, if she were responsive we would not have a problem. At one
point she did hire a real estate agent and it’s unclear what that agent did. I
doubt the agent is excited about this property; the commission would not be
very high and the property is not super marketable.
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Zack: The agent isn’t able to be reached either, right?
Hastrup: Yes. I don’t know if that relationship still exists. I doubt this person
is going to sue us if the property gets taken back. We just need to get
something that would be legally viable to get ahold of the title. It’s
disappointing that it’s not done via tax sale.
McNary: I thought there was something in there about public nuisance and
abandonment of property.
Hastrup: That doesn’t get you the title to the property. Going through the
condemnation proceeding for a property that’s abandoned and a huge
nuisance, but that still is going to ultimately involve due process
requirements on the owner. But I feel pretty confident in the code staff and
our folks. I believe that this has attracted enough attention that efforts are
being undertaken because we don’t want the historic resource to go away.
McNary: It would be great addition to Playland or Roeding Park.
Hastrup: Yes. The more political interest and community interest there is,
and folks talking to Council members would help. I don’t think the issue is
widely known just yet, but it’s creeping up. People are starting to hear more
about it.
Item Closed.
C. ID18-1019 CHAIR/VICE CHAIR ELECTIONS.
Chair Boyd and Vice-chair Hatwig indicated that they are happy in their
current positions, and would be willing to continue if the rest of the
commission agreed.
Current Chair Patrick Boyd and Vice Chair Jason Hatwig were nominated to
continue as Chair and Vice Chair approved 6-0 on a motion by
Commissioner Simmons and a second by Commissioner Halajian.
VII. CHAIRPERSON'S REPORT
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None.
VIII. UNSCHEDULED ITEMS
A. Members of the Commissioin
1. Lowell Home Tour
Commissioner Simmons recapped the Lowell Home Tour. It was the first
Lowell historic home tour and interest was high; over 200 people attended.
Food was donated by Richards and a signature cocktail was provided.
Commissioner Simmons underlined the importance of supporting activities
like the home tour to raise awareness of historic preservation in the city.
2. Historic Preservation in the South
Commissioner Simmons recapped his trip through 9 cities in the south and
the examples adaptive reuse he encountered, including architectural
framing on a lot to show what used to be on a property. Commissioner
Simmons also shared examples of honoring difficult pasts, and emphasized
the importance in having diverse voices in historic preservation and how
important that is to Fresno. He mentioned that during his trip he learned that
there was a Chinese neighborhood in Columbia, SC that he had never
known about although he grew up in the area.
3. Potential Surveys
Chair Boyd asked for status report on the priority list of surveys the
Commission had created.
Groves van Onna: Chinatown is at the top of the priority list. I’m the process
of creating a recon survey for the Chinatown area. I’ve been kept pretty this
summer; additionally factors such as heat and smoke haven’t been ideal for
surveying. So my plan is to get those going this fall.
4. Old Armenian Town Historic District
Chair Boyd asked for status report on the Old Armenian Town Historic
District nomination and when it will be heard by the City Council.
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Hastrup: Nothing to report at this time other than there have been efforts
with the developer, the redevelopment agency, and everyone to find a path
that will allow the district to go forward without causing an issue with the
proposed development. It seems to be a relatively small set of issues and I
believe they are going to work through them, but we’re still kind of in the
same place right now. Certainly, if that development moves forward and
gets a little further along and more clarity then it should remove any of the
concerns, but that’s where we are right now. I will say that it’s probably
every one to two weeks where there’s some sort of meeting trying to resolve
concerns. That’s all I’ve got on that, I apologize for the lack of specifics.
Boyd: As the purveyors of an important district, the concern is that the
reason we put this whole thing together was so that these elements would
protect against negotiations, whatever those may be, of either the historic
properties or adjacent properties. That’s why we build districts: to protect
those sites. We’d have a lot more confidence if this was in play and
approved and subsequent development negotiations were coming in after
that.
Hastrup: I don’t think that there’s any serious concern that the district will not
go forward or that anything being done will impact the district in meaningful
way. These are technical, legal concerns about how the presence of a
district might allow certain challenges to a development that is essentially
already approved. It’s concern about opening up for technical challenges; I
don’t think that the developer or anyone at the city ultimately thinks that
there’s going to be a problem with the district going through or that
anything’s going to be incompatible with the district. It’s just to make sure
that we have a nice district and we ultimately have a nice development.
That’s where we are right now.
Simmons: That doesn’t make sense to me.
Hastrup: I’m not comfortable getting into specifics. If you want any particular
request, or have any particular question, I can take it to the powers that be
and maybe write a confidential memo. But I’m not comfortable saying
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anything else at this time in a public forum.
Goldbeck: Do you have a sense of a timeline?
Hastrup: I do not. I can just say I think everyone who’s involved is committed
to the district. That’s all I can say.
Goldbeck: I think that’s what leaves us confused. If that’s the case, why isn’t
it moving?
Hastrup: There are some particular legal concerns that I’d rather not get into
in a public forum. That is the issue with moving forward on the district. I
can’t say anything else, I’m very sorry.
Goldbeck: [to Boyd] Didn’t you make a request regarding this being placed
before the City Council?
Boyd: Yes, we sent it out.
Goldbeck: Right but it got sidetracked. Do I recall you asked for information
or an update or something?
Boyd: It’s been a while.
Halajian: Could we ask for a confidential summation of the legal problems
in play?
Hastrup: I can take that to the powers that be.
Halajian: So confidential means it’s distributed just to the commission?
Hastrup: Yes.
Goldbeck: I don’t know that I object even if it’s distributed just to Patrick.
Then you [Boyd] will have information to tell us to cease and desist.
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Hastrup: Well, the problem with giving things to Patrick only is that it could
put him in a difficult position with the Brown Act, because he couldn’t have
discussions with all of you, legally. If everyone was comfortable giving it to
Patrick and then Patrick could say “Well I’m happy” or “I’m not happy.” If
Patrick discussed without saying what was in there how he felt about it to
everyone else.
Goldbeck: I was trying to avoid Brown Act problems. If we all knew would
that be a problem?
Hastrup: No. I can send things individually to everyone; the Brown Act
applies when you all have a quorum among yourself
Boyd: If we get the information and we’re all okay with it, then essentially
the item’s dropped on our part until it actually gets passed up to
commission. If any of those issues come up and we’re not okay with those
issues for whatever reason, then we have a problem. How do we discuss it?
What’s that process?
Hastrup: The Commission is in charge of determining districts at least at the
first stage before it goes to Council, and in charge of the historical
resources, and so you can make direction upon city staff. It can be
overridden by Council, of course. We would still have to keep any
information confidential, but you would be allowed to pass a motion or
recommendation expressing, in a general way, concerns and those probably
would be listened to.
Boyd: Can we do a closed session on it?
Hastrup: I don’t know how we do closed items in HPC. I will look into that as
well. I don’t remember anything in the ordinance about it, but maybe there
is. I can request the authority to draft a confidential memo, and I can also
look into the issue of having a closed session. There are very narrow
grounds for having a closed session; there’s consideration of a real estate
deal, there’s potential litigation, there’s personnel issues. I don’t know that
any of the Brown Act exceptions would apply, so that leaves us with this
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weird one-way communication.
Boyd: It seems kind of odd to have a closed session about anything that
might come up about a historic district, which is a public issue.
Groves van Onna: Would it be helpful if the commission voiced their support
to the City Council regarding this? Would that encourage the timeline to
move forward?
Hastrup: The commission is welcome to do that. I want to make sure I’m not
in any advocacy role. Although I certainly have opinions about all of this
stuff, I’m not allowed to share them. But yes, the commission could publicly
state any position.
Halajian: Let’s go back to the process. If you were to send this confidential
memo to each of us individually, we can form an opinion about it but we
can’t discuss it amongst ourselves, is that correct?
Hastrup: You can’t discuss it among a quorum.
Halajian: So two of us can speak, but all of us can’t speak.
Hastrup: Right. That’s why we can have subcommittees.
Halajian: That being the case, we can establish a subcommittee and send
the memo to that subcommittee. Is
that a better way to this, instead of sending it to Patrick.
Hastrup: It’s hard for me to say what the best way to do it is, but that would
be acceptable. And I could meet and speak very freely to the subcommittee.
Halajian: So then the subcommittee, if they wanted to go to the city council
with some specifics, that would be appropriate?
Hastrup: Yes. Or the subcommittee could propose a motion. We have kind
of an intersection of a policy issue regarding the development and the legal
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Commission
issue of moving forward with the district. There are policy concerns about
timing and how those things go together. I can say with absolute certainty
that at least everyone I’ve talked to says that they support the district. They
want the district to go forward. And they’re not happy about the timing either.
Simmons: Could we request from staff a timeline of actions concerning the
Old Armenian Town District, from the first time that this came to the
commission over a decade ago when it was first established, and this
commission’s actions including requests for information? Could we have a
document of the timeline to attach to any communication with whoever is
making these decisions, or not making these decisions?
Hastrup: You can ask me to prepare a timeline and I’ll do that.
Hatwig: A timeline would be great. If everybody’s on board with it being
adopted and approved, could there be a six-month deadline and it
automatically goes to Council, or something of that nature?
Hastrup: There’s a time after the district is approved by the HPC that it’s
supposed to go to council. That has passed already.
Simmons: And what are the repercussions for that time being passed? Does
it have to be re-surveyed? Do we have to start the process over again?
Hastrup: No. Ultimately it has to be approved by Council, and so any
interested person can try to push to council to get it through. I don’t know
what HPC can do other than ask Council to move forward or get information
about what is going on. I’m not aware of any legal repercussions that would
hurt the ability of the district to get ultimately approved, but other than
asking Council to go forward or getting more information, I don’t have
anything else I can say at this time. But I can prepare a timeline. I don’t
believe the district is in legal peril. Of course it still has to be approved by
Council.
Simmons: We are now coming to the point where we’re educating our third
Council member on this district because the Councilperson representing
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Commission
this area is usually not aware of its history and a timeline might be helpful
for that. This is having a detrimental financial effect on the district, because
of the Mills Act. Also cultural entities wanting to locate themselves in Old
Armenian Town are making decisions to go elsewhere because it’s not
designated. The longer it takes the more the people who would be
significantly affected by the designation are dying. Every day. It would be
nice to have someone who actually lived there be there when it is goes
forward, but the odds are slipping away that that could happen. This is why
we can’t have nice things. The lack of information to this commission I think
is amazingly unethical on the part of someone in the city and no one seems
to care. When we ask Council staff “Can you look into this?” they seem to
get the same response that we do. Something’s happening somewhere we
can’t quite seem to figure out. I don’t know how anyone functions with that
level of information. It’s certainly not fair to the people of this commission
and hasn’t been fair to the people who worked so hard to make Old
Armenian Town come into existence. It’s kind of beyond the pale to me.
Hastrup: My role is to provide attorney-client advice to different parts of the
city which means that sometimes they are privileged from each other. The
political issue of moving forward or not is just not something I’m involved in.
I’m not advocating on behalf of the city for what position folks on staff or
folks in the Council are taking. That’s a political choice on their part. What I
am doing is just providing legal advice to the different folks, but some of it is
confidential. But I certainly will convey those thoughts, and I encourage
everyone who has thoughts that are in the political realm to voice them in
the way they see fit as well.
A subcommittee consisting of Chair Boyd, Commissioner Don Simmons and
Commissioner Goldbeck with was approved 6-0 with a motion by
Commissioner Halajian and a second by Chair Boyd.
B. Staff
1. HPC Training
Historic Preservation Specialist Laura Groves van Onna reached out to
OHP regarding training, they are still working on their budget. Also reached
out to CAMP (Commission Assistance and Mentoring Program), waiting to
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hear on pricing. Groves van Onna asked Commissioner for topics they are
interested in learning about.
Hatwig: Fresno has a very big potential for adaptive reuse. It’s something
that is here and is going to happen so I think getting ourselves geared up for
that would be extremely beneficial.
Boyd: Something about mid-century modernism would also be helpful. We
all know sort of the historic styles, but it would be great if we could learn a
little bit more about what to look for as commissioners.
Simmons: Some guidance on being more inclusive in the properties that we
work with. How does a historic preservation commission be an inclusive
commission? Inclusive designation, so that we don’t have an all-white
historic registry.
Groves van Onna: Thank you.
C. General Public
None.
IX. NEXT MEETING: September 24, 2018, 6PM Conference Room A, City Hall.
X. ADJOURNMENT
Chair Boyd adjourned the meeting at 8:10 PM.
City of Fresno Page 32
Agenda
City of Fresno
City Hall
2600 Fresno Street
Fresno, CA 93721
Meeting Agenda - Final
Monday, August 27, 2018
6:00 PM
Regular Meeting
Fresno City Hall, Second Floor
Room 2165N (Conference Room A)
Historic Preservation Commission
Chair Patrick Boyd
Vice Chair Jason Hatwig, LEED, AP, BD+C
Commissioners:
Robin Goldbeck; Paul Halajian, AIA; Ron McNary;
C. Kristina Roper, M.A.; Don Simmons, Ph.D.
Staff:
Daniel Zack, AICP Assistant Director; Laura van Onna, Historic Preservation
Specialist; Amber Piona, Planner II, Recording Secretary; John Hastrup,
Deputy City Attorney II
Historic Preservation Meeting Agenda - Final August 27, 2018
Commission
The Historic Preservation Commission welcomes you to Room 2165, located in City Hall,
2nd Floor, 2600 Fresno Street, Fresno, California 93721.
The City of Fresno’s goal is to comply with the Americans with Disabilities Act (ADA) in all
respects. The meeting room is physically accessible. If, as an attendee or participant at the
meeting, you need additional accommodations such as interpreters, signers, assistive
listening devices, or the services of a translator, please contact the Office of the City Clerk
at (559) 621-7650 or clerk@fresno.gov. To ensure availability, you are advised to make
your request at least 48 hours prior to the meeting. The agenda and related staff reports
are available at www.fresno.gov, as well as in the Office of the City Clerk.
La Comision de Preservacion Historica le da la bienvenida al cuarto de junta 2165 ubicado
en la Alcaldía (City Hall), 2do piso, 2600 Fresno Street, Fresno, California 93721.
El objetivo de la Ciudad de Fresno es cumplir con la Ley de Americanos con
Discapacidades (ADA) en todo aspecto. La cuarto para juntas es físicamente accesible. Si
usted, como asistente o participante de la junta, necesita acomodaciones adicionales coma
intérpretes, lenguaje de señas, aparatos auditivos, o los servicios de un traductor, por favor
comuníquese con la Oficina del Secretario Municipal llamando al (559) 621-7650 o
escriba al clerk@fresno.gov. Para asegurarse de la disponibilidad se le recomienda
llamar y hacer su petición por lo menos 48 horas antes de la junta. La agenda y los
reportes de personal correspondientes están disponibles en el www.fresno.gov, o en la
Oficina del Secretario Municipal.
Tso Historic Preservation Commission tos txais koj rau chav tsev 2165, nyob rau hauv City
Hall, 2nd Floor, 2600 Fresno Street, Fresno, California 93721.
Lub hom phiaj ntawm nroog Fresno yuav ua kom tau txhua yam raw li txoj cai American with
Disabilities Act (ADA) kom fwm txhua tus. Lub rooj sab laj txhua tus yuav tsum muaj feem
koom kom tau, txawm yog cov tuaj koom, cov muaj feem rau lub rooj sab laj, yuav tsum kom
muaj kev pab rau sawv daws xws li txhais lus, piav tes, tej twj mloog pob ntseg los yog ib tug
txhais lus, thov hu rau Office of the City Clerk ntawm (559) 621-7650 los sis
clerk@fresno.gov. Yuav kom paub tseeb tias npaj tau rau koj, koj yuav tsum tau hais ua
ntej 48 xuab moos ntawm lub rooj sab laj. Daim ntawv kom tswj thiab tej ntaub ntawv cov ua
dej num yuav coj los ceeb tshaj muaj nyob rau ntawm www.fresno.gov, los sis ntawm Office
of the City Clerk.
Any interested person may appear at the public hearing and present written testimony, or
speak in favor or against the matters scheduled on the agenda.
If you challenge these matters in court, you may be limited to raising only those issues you
or someone else raised in oral or written testimony at or before the close of the hearing.
I. CALL TO ORDER AND ROLL CALL
City of Fresno ***Subject to Mayoral Veto Page 2
Historic Preservation Meeting Agenda - Final August 27, 2018
Commission
II. APPROVE MEETING MINUTES
A. ID18-1015 Approve Minutes for April 23, 2018.
B. ID18-1016 Approve Minutes for May 21, 2018.
III. APPROVE AGENDA
IV. CONSENT CALENDAR
None.
V. CONTINUED MATTERS
None.
VI. COMMISSION ITEMS
A. ID18-1017 REVIEW AND COMMENT ON THE PRE-APPLICATION,
CONSISTING OF CONCEPTUAL ADAPTIVE REUSE
PLANS, FOR THE ELIA HOME (HISTORIC PROPERTY
#311) LOCATED AT 634-640 VAN NESS AVENUE
PURSUANT TO FMC 12-1606(a)(2) and (b)(23).
B. ID18-1018 STAFF PRESENTATION FOR FRESNO TROLLEY CARS
DINER (STANDARD DINER) (HISTORIC PROPERTY #099)
LOCATED AT 1731 S CHERRY AVENUE.
C. ID18-1019 CHAIR/VICE CHAIR ELECTIONS.
VII. CHAIRPERSON'S REPORT
VIII. UNSCHEDULED ITEMS
A. Members of the Commissioin
B. Staff
C. General Public
IX. NEXT MEETING: September 24, 2018, 6PM Conference Room A, City Hall.
City of Fresno ***Subject to Mayoral Veto Page 3
Historic Preservation Meeting Agenda - Final August 27, 2018
Commission
X. ADJOURNMENT
City of Fresno ***Subject to Mayoral Veto Page 4
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