Public Art Committee
Regular MeetingMerriam, KS · August 8, 2024
Agenda
Public Art Committee
Agenda
Merriam Community Center, 6040 Slater
August 8, 2024 - 5:30 PM
If you require any accommodation (i.e. qualified interpreter, large print, reader,
hearing assistance) in order to attend this meeting, please notify the
Administrative Office at 913-322-5500 no later than 24 hours prior to the
beginning of the meeting.
I. CALL TO ORDER
II. ROLL CALL
III. ACTION ITEMS
1. Consider approval of the July 11, 2024 Public Art Committee meeting
minutes.
Public Art Committee - Jul 11 2024 - Minutes
IV. PROJECT UPDATES
1. Public Art Project Proposal
DRAFT - Public Art Project Proposal
PAC Project Preferences-2024
2. City Updates
3. Other Business from the Floor
V. ADJOURNMENT
MINUTES
Public Art Committee Meeting
City of Merriam, Kansas
Merriam Community Center, 6040
Thursday, July 11, 2024 5:30 PM
Slater
I. CALL TO ORDER
Chair Shawn McConnell called the meeting to order at 5:30 p.m.
II. ROLL CALL
Committee Members Present: Staff Present:
Christopher Leitch Lauren Krivoshia, Assistant to the City Administrator
Gerald Becker
Jan Schoonover
Jordan Gomez
Julie Denesha
Maggie McConnell
Shawn McConnell
Jason Silvers
Staci Chivetta
Christine Nelson
Vanessa Chasm
Committee Members Absent:
III. ACTION ITEMS
1. Consider approval of the June 13, 2024 Public Art Committee meeting minutes.
IV. PROJECT UPDATES
1. Develop Public Art Project
This committee discussed how they would like to develop the next public art project
proposal. There were many sites identified in the Public Art and Placemaking Master
Plan. Location could dictate the type of art. One committee member expressed interest
Page 1 of 2
Public Art Committee Minutes – July 11, 2024
in working with artists to select the site they would like to create artwork for. Others
suggested a preference for projects with limitations to make the project more
streamlined. The previous public art process selected a site first and that worked well.
An idea was also discussed to identify three possible sites for an RFQ. The RFQ
should ask if the artist has worked with a municipality or committee before.
Discussion about artist selection focused on a preference to work with local or regional
artists who know the community. The placemaking outcomes of most interest included
City Identity and History. The committee showed interest in a work of art that
showcases the Webb v. School District 90 court case with something permanent,
beautiful, and inspiring. It was noted that Brown Park is located across the street from
the former Walker School, now Philadelphia Baptist Church. The church is currently
seeking national historic register recognition.
Funding for the program is in the City’s 5-year Capital Improvement Program. The
funding does not have to be divided evenly over the years, and the funding could be
used to hire a consultant to help facilitate or manage the art procurement process.
The committee agreed to set a goal of unveiling new artwork by the City’s 75th birthday
in October of 2025. To help streamline committee preferences, staff will collect
preferred sites, themes, and other project proposal info from each committee member
before the next meeting.
2. City Updates
The Merriam Community Center will host Canvas Collective Art Workshops this fall in
collaboration with the Arts Council of Johnson County. Work on the Public Art Tour on
Otocast is underway, and the committee has offered to be testers before we begin
promoting the program. Plans for the 75th Birthday celebration continue, and the City is
looking to include some sort of live artist engagement during the party. Work is
underway on creating a one page Public Art and Placemaking Master Plan summary.
3. Other Business from the Floor
Maggie McConnell was welcomed back to the committee after being away at art school
for several months.
V. ADJOURNMENT
There being no other items to consider the meeting was adjourned at 6:31 p.m.
Page 2 of 2
DRAFT
Public Art Project Proposal / RFQ / RFP
The City of Merriam is seeking qualifications from professional artists or artist teams for a public
art project at {{Location}}. This project aims to {{Goals - foster interaction and connectivity while
encouraging people to engage as explorers of art in unexpected places. The project should
celebrate the city’s history and engage its residents, draw attention to and beautify public space,
and position Merriam as a vibrant community supportive of and supported by arts and culture.}}
{{Brief background of Merriam.}}
Placemaking Outcomes / Project Goal
● Gathering Place: Artworks foster interaction, accessibility, and connectivity, which are
●
●
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critical components of a community gathering place.
City Identity: Public art can reflect, elevate or shift the City’s identity
History: Public art can celebrate and bring awareness to Merriam’s incredible history.
Other outcomes: Engagement, and Creative Class
Site(s)
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Turkey Creek Streamway Trail, Bridge over Carter Ave., Unexpected Places, “The Clearing”
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Other sites: Brown Park, Downtown Merriam
Budget
$25,000–$75,000
Theme/Concept
The primary theme of the artwork should be {{nature/environment or community
identity/history}}.
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The artwork could be functional in creating a shaded resting or gathering place along the Turkey
Creek Streamway Trail. Interactive components are encouraged.
Schedule
August: Circulate proposal with City departments; City Council
September: Publish RFQ
TBD: RFQ Deadline
TBD: Review responses / Vet finalists
TBD: Invite finalists to develop proposals; Notify artists not selected
TBD: Site visit / Briefing session with finalists
TBD: Finalist presentations/interviews; Select artist
TBD: Notify selected artists
DRAFT
TBD: Recommend to City Council
TBD: Fabrication / Site preparation
TBD: Installation
Artist Eligibility
Open to all professional and emerging artists, with priority given to those who live, work, or have
a meaningful connection to the greater Kansas City region, who are 18 years and older and
legally able to work in the United States.
Submission Requirements
Artists or artist teams interested in this project are not being asked to develop a specific
proposal at this time. Interested artists should submit the following materials:
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1. Letter of Interest: A brief statement (no more than two pages) outlining your interest in
this project; relevant experience including past public art projects or collaboration with
municipal governments; and conceptual approach to public art.
2. Resume/CV
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3. Artist Statement
4. Portfolio: Up to 10 images of previous work, with an annotated image list including title,
date, medium, dimensions, location, and project budget.
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5. References: Contact information for at least three professional references who can
speak to your qualifications and past work experience.
Artist teams should submit one Letter of Interest, a resume for each artist, an artist statement for
each artist plus a combined statement, 10 images total, at least one reference per artist.
Selection Process
Merriam’s Public Art Committee will review the submitted qualifications. The committee will
evaluate submissions based on the following criteria:
● Artistic excellence and innovation
● Relevant experience and professional qualifications
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●
Ability to work within budget and timeline
References and past performance
Shortlisted artists {{3-5}} will be invited to develop a detailed proposal for the project and asked
to interview. A stipend of {{$1,500}} will be provided for this work. Proposals will include:
●
●
An introduction and big picture overview of your proposal concept and how it will
enhance a visitor's experience at the site.
Detailed images and descriptions of major elements of your initial design. These may
consist of working drawings, video animations, maquettes, etc.
● A refined budget
DRAFT
● Long-term car requirements. How will your work respond to outdoor elements such as
wind, rain, snow, ice, ice-melting chemicals, climbing children, being hit by weed-eater
filament or rocks thrown by mowers, tree sap, etc.
The final artist selection will be based on the interview and proposal review with the following
evaluation criteria:
● Connection to placemaking outcomes
● Expression of community values/connection/engagement
● Use of site, artwork durability, and project feasibility
Preference for artists who have a connection to the area or region.
Preference for professional artists or artist teams with experience in public art projects.
Preference for projects that engage the community.
Contact
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For questions or additional information, please contact:
Lauren Krivoshia
Assistant to the City Administrator
lkrivoshia@merriam.org
913-322-5501
Additional Information
Artists are encouraged to review Merriam’s Public Art and Placemaking Master Plan - At a
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Glance for a better understanding of the goals and values of the Public Art Committee.
For more information about the City of Merriam and our public art program, visit
merriam.org/publicart.
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Equal Opportunity
The City of Merriam is committed to equity and inclusion in its public art program and
encourages submissions from artists of all backgrounds and experiences.
PAC Project Preferences
10 responses
Publish analytics
Name
10 responses
Julie Denesha
Jan Schoonover
Margaret McConnell
Vanessa
Christine Nelson
Jordan gomez
Christopher Leitch
Becker
Jason
Shawn McConnell
Placemaking Outcomes - select 3 Copy
10 responses
City Identity 5 (50%)
Wayfinding 1 (10%)
Neighborhood Identity 0 (0%)
Gathering Place 6 (60%)
History 5 (50%)
Health and Safety 0 (0%)
Engagement 5 (50%)
Inclusion 2 (20%)
Tourism 1 (10%)
Property Redevelopment 0 (0%)
Business Development 0 (0%)
Creative Class 5 (50%)
0 1 2 3 4 5 6
Theme Copy
10 responses
Nature/environment
20% Functional
10%
Aesthetics-traditional
History
10% 10%
Culture/traditions
Whimsical
10%
Interactive/community-created
20%
10% Aesthetics-non-traditional
10%
Preferred Sites - select 4 Copy
10 responses
City streets/medians/ro… 3 (30%)
Antioch Park 1 (10%)
Historic Downtown corr… 4 (40%)
Unexpected places 4 (40%)
Merriam Marketplace 0 (0%)
Merriam Community C… 1 (10%)
Turkey Creek Streamw… 4 (40%)
Waterfall Park 0 (0%)
Neighborhoods 0 (0%)
Chatlain Park 2 (20%)
Brown Park 4 (40%)
Corridors or Gateways 1 (10%)
Gathering Places 3 (30%)
Shawnee Mission Park… 4 (40%)
Shawnee Mission Park… 1 (10%)
W. Frontage Road and… 0 (0%)
Traffic island at Grandv… 0 (0%)
Utility box 0 (0%)
Merriam Historic Plaza,… 1 (10%)
Bus stop at Johnson D… 1 (10%)
Bus stop at Johnson D… 0 (0%)
The Clearing on Turke… 3 (30%)
Antioch Road between… 1 (10%)
Private Property 1 (10%)
Dutch Maid site 1 (10%)
0 1 2 3 4
Project Budget Copy
10 responses
Less than $25,000
50%
$25,000-$75,000
Greater than $75,000
50%
Artist Eligibility
8 responses
Must have a record of creating successful public art in the past.
none
Not necessarily a restriction, but they should have a good sense of engagement and mindset
that gears toward bringing people in.
Current or former Kansas resident.
No restrictions
I’d like to find a regional artist to begin with (I have no idea, maybe within 200 mile radius from
KC?) but I’m not tied to that requirement for every project going forward.
That we encourage but do not restrict to local
I want to restrict artists who historically underbid projects.
Selection Process
8 responses
DO NOT want to include an outside juror. DO want to include a portfolio and an artist stipend
We should be flexible and fast.
Having the artist included a portfolio of their best work is something we definitely need to
include and take into consideration if they have done pieces that are meant to be displayed
outdoors. I think having 3 to 5 finalists would be a good number range so we aren’t
overwhelmed with a final decision.
Listen to community survey responses and apply that to the decision making process.
it would be amazing to include the community, but not sure if that would hold up our process if
we are trying to get something done by next oct - for Merriam 75th birthday. otherwise I don't
have a strong feelings about dos & don'ts on the process.
I’d love to see portfolio/past experience presented to us during the selection process. Just like
a job interview, I want to learn more about each candidate through their relevant experience.
I think a juror is case dependent. As much community involvement as possible, not just the
little art club deciding in secret. I am eager not to presume that something is "beyond" what
"normal" people can accept before we ask for responses and dialogues. Artists should be
compensated if a proposal is requested. I am not in favor of rigid point schemes, but I do favor
agreed-upon criteria. These should include: record of accomplishment in their field; ability to
articulate how their work can enliven our community according to the values we've
enumerated in our plan; evidence of aesthetic / art historical merit. Experience is interesting
but we shouldn't limit to professional "public artists" - we end up with generic and sterile. We
can help steer toward eventual "feasibility" - let's let artists imagine broadly and coax our
understanding; it's a horrid thing to START at the baseline of doability.
I propose eliminating the idea of public jurors and community feedback on individual pieces
and keeping the artist selection process to the PAC committee. Additionally, I recommend
limiting the number of semi-finalists to prevent undue optimism among artists and manage
expectations more effectively.
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